Background: #fff
Foreground: #000
PrimaryPale: #8cf
PrimaryLight: #18f
PrimaryMid: #04b
PrimaryDark: #014
SecondaryPale: #ffc
SecondaryLight: #fe8
SecondaryMid: #db4
SecondaryDark: #841
TertiaryPale: #eee
TertiaryLight: #ccc
TertiaryMid: #999
TertiaryDark: #666
Error: #f88

/*{{{*/
body {background:[[ColorPalette::Background]]; color:[[ColorPalette::Foreground]];}

a {color:[[ColorPalette::PrimaryMid]];}
a:hover {background-color:[[ColorPalette::PrimaryMid]]; color:[[ColorPalette::Background]];}
a img {border:0;}

h1,h2,h3,h4,h5,h6 {color:[[ColorPalette::SecondaryDark]]; background:transparent;}
h1 {border-bottom:2px solid [[ColorPalette::TertiaryLight]];}
h2,h3 {border-bottom:1px solid [[ColorPalette::TertiaryLight]];}

.button {color:[[ColorPalette::PrimaryDark]]; border:1px solid [[ColorPalette::Background]];}
.button:hover {color:[[ColorPalette::PrimaryDark]]; background:[[ColorPalette::SecondaryLight]]; border-color:[[ColorPalette::SecondaryMid]];}
.button:active {color:[[ColorPalette::Background]]; background:[[ColorPalette::SecondaryMid]]; border:1px solid [[ColorPalette::SecondaryDark]];}

.header {background:[[ColorPalette::PrimaryMid]];}
.headerShadow {color:[[ColorPalette::Foreground]];}
.headerShadow a {font-weight:normal; color:[[ColorPalette::Foreground]];}
.headerForeground {color:[[ColorPalette::Background]];}
.headerForeground a {font-weight:normal; color:[[ColorPalette::PrimaryPale]];}

.tabSelected{color:[[ColorPalette::PrimaryDark]];
	background:[[ColorPalette::TertiaryPale]];
	border-left:1px solid [[ColorPalette::TertiaryLight]];
	border-top:1px solid [[ColorPalette::TertiaryLight]];
	border-right:1px solid [[ColorPalette::TertiaryLight]];
}
.tabUnselected {color:[[ColorPalette::Background]]; background:[[ColorPalette::TertiaryMid]];}
.tabContents {color:[[ColorPalette::PrimaryDark]]; background:[[ColorPalette::TertiaryPale]]; border:1px solid [[ColorPalette::TertiaryLight]];}
.tabContents .button {border:0;}

#sidebar {}
#sidebarOptions input {border:1px solid [[ColorPalette::PrimaryMid]];}
#sidebarOptions .sliderPanel {background:[[ColorPalette::PrimaryPale]];}
#sidebarOptions .sliderPanel a {border:none;color:[[ColorPalette::PrimaryMid]];}
#sidebarOptions .sliderPanel a:hover {color:[[ColorPalette::Background]]; background:[[ColorPalette::PrimaryMid]];}
#sidebarOptions .sliderPanel a:active {color:[[ColorPalette::PrimaryMid]]; background:[[ColorPalette::Background]];}

.wizard {background:[[ColorPalette::PrimaryPale]]; border:1px solid [[ColorPalette::PrimaryMid]];}
.wizard h1 {color:[[ColorPalette::PrimaryDark]]; border:none;}
.wizard h2 {color:[[ColorPalette::Foreground]]; border:none;}
.wizardStep {background:[[ColorPalette::Background]]; color:[[ColorPalette::Foreground]];
	border:1px solid [[ColorPalette::PrimaryMid]];}
.wizardStep.wizardStepDone {background::[[ColorPalette::TertiaryLight]];}
.wizardFooter {background:[[ColorPalette::PrimaryPale]];}
.wizardFooter .status {background:[[ColorPalette::PrimaryDark]]; color:[[ColorPalette::Background]];}
.wizard .button {color:[[ColorPalette::Foreground]]; background:[[ColorPalette::SecondaryLight]]; border: 1px solid;
	border-color:[[ColorPalette::SecondaryPale]] [[ColorPalette::SecondaryDark]] [[ColorPalette::SecondaryDark]] [[ColorPalette::SecondaryPale]];}
.wizard .button:hover {color:[[ColorPalette::Foreground]]; background:[[ColorPalette::Background]];}
.wizard .button:active {color:[[ColorPalette::Background]]; background:[[ColorPalette::Foreground]]; border: 1px solid;
	border-color:[[ColorPalette::PrimaryDark]] [[ColorPalette::PrimaryPale]] [[ColorPalette::PrimaryPale]] [[ColorPalette::PrimaryDark]];}

#messageArea {border:1px solid [[ColorPalette::SecondaryMid]]; background:[[ColorPalette::SecondaryLight]]; color:[[ColorPalette::Foreground]];}
#messageArea .button {color:[[ColorPalette::PrimaryMid]]; background:[[ColorPalette::SecondaryPale]]; border:none;}

.popupTiddler {background:[[ColorPalette::TertiaryPale]]; border:2px solid [[ColorPalette::TertiaryMid]];}

.popup {background:[[ColorPalette::TertiaryPale]]; color:[[ColorPalette::TertiaryDark]]; border-left:1px solid [[ColorPalette::TertiaryMid]]; border-top:1px solid [[ColorPalette::TertiaryMid]]; border-right:2px solid [[ColorPalette::TertiaryDark]]; border-bottom:2px solid [[ColorPalette::TertiaryDark]];}
.popup hr {color:[[ColorPalette::PrimaryDark]]; background:[[ColorPalette::PrimaryDark]]; border-bottom:1px;}
.popup li.disabled {color:[[ColorPalette::TertiaryMid]];}
.popup li a, .popup li a:visited {color:[[ColorPalette::Foreground]]; border: none;}
.popup li a:hover {background:[[ColorPalette::SecondaryLight]]; color:[[ColorPalette::Foreground]]; border: none;}
.popup li a:active {background:[[ColorPalette::SecondaryPale]]; color:[[ColorPalette::Foreground]]; border: none;}
.popupHighlight {background:[[ColorPalette::Background]]; color:[[ColorPalette::Foreground]];}
.listBreak div {border-bottom:1px solid [[ColorPalette::TertiaryDark]];}

.tiddler .defaultCommand {font-weight:bold;}

.shadow .title {color:[[ColorPalette::TertiaryDark]];}

.title {color:[[ColorPalette::SecondaryDark]];}
.subtitle {color:[[ColorPalette::TertiaryDark]];}

.toolbar {color:[[ColorPalette::PrimaryMid]];}
.toolbar a {color:[[ColorPalette::TertiaryLight]];}
.selected .toolbar a {color:[[ColorPalette::TertiaryMid]];}
.selected .toolbar a:hover {color:[[ColorPalette::Foreground]];}

.tagging, .tagged {border:1px solid [[ColorPalette::TertiaryPale]]; background-color:[[ColorPalette::TertiaryPale]];}
.selected .tagging, .selected .tagged {background-color:[[ColorPalette::TertiaryLight]]; border:1px solid [[ColorPalette::TertiaryMid]];}
.tagging .listTitle, .tagged .listTitle {color:[[ColorPalette::PrimaryDark]];}
.tagging .button, .tagged .button {border:none;}

.footer {color:[[ColorPalette::TertiaryLight]];}
.selected .footer {color:[[ColorPalette::TertiaryMid]];}

.sparkline {background:[[ColorPalette::PrimaryPale]]; border:0;}
.sparktick {background:[[ColorPalette::PrimaryDark]];}

.error, .errorButton {color:[[ColorPalette::Foreground]]; background:[[ColorPalette::Error]];}
.warning {color:[[ColorPalette::Foreground]]; background:[[ColorPalette::SecondaryPale]];}
.lowlight {background:[[ColorPalette::TertiaryLight]];}

.zoomer {background:none; color:[[ColorPalette::TertiaryMid]]; border:3px solid [[ColorPalette::TertiaryMid]];}

.imageLink, #displayArea .imageLink {background:transparent;}

.annotation {background:[[ColorPalette::SecondaryLight]]; color:[[ColorPalette::Foreground]]; border:2px solid [[ColorPalette::SecondaryMid]];}

.viewer .listTitle {list-style-type:none; margin-left:-2em;}
.viewer .button {border:1px solid [[ColorPalette::SecondaryMid]];}
.viewer blockquote {border-left:3px solid [[ColorPalette::TertiaryDark]];}

.viewer table, table.twtable {border:2px solid [[ColorPalette::TertiaryDark]];}
.viewer th, .viewer thead td, .twtable th, .twtable thead td {background:[[ColorPalette::SecondaryMid]]; border:1px solid [[ColorPalette::TertiaryDark]]; color:[[ColorPalette::Background]];}
.viewer td, .viewer tr, .twtable td, .twtable tr {border:1px solid [[ColorPalette::TertiaryDark]];}

.viewer pre {border:1px solid [[ColorPalette::SecondaryLight]]; background:[[ColorPalette::SecondaryPale]];}
.viewer code {color:[[ColorPalette::SecondaryDark]];}
.viewer hr {border:0; border-top:dashed 1px [[ColorPalette::TertiaryDark]]; color:[[ColorPalette::TertiaryDark]];}

.highlight, .marked {background:[[ColorPalette::SecondaryLight]];}

.editor input {border:1px solid [[ColorPalette::PrimaryMid]];}
.editor textarea {border:1px solid [[ColorPalette::PrimaryMid]]; width:100%;}
.editorFooter {color:[[ColorPalette::TertiaryMid]];}

#backstageArea {background:[[ColorPalette::Foreground]]; color:[[ColorPalette::TertiaryMid]];}
#backstageArea a {background:[[ColorPalette::Foreground]]; color:[[ColorPalette::Background]]; border:none;}
#backstageArea a:hover {background:[[ColorPalette::SecondaryLight]]; color:[[ColorPalette::Foreground]]; }
#backstageArea a.backstageSelTab {background:[[ColorPalette::Background]]; color:[[ColorPalette::Foreground]];}
#backstageButton a {background:none; color:[[ColorPalette::Background]]; border:none;}
#backstageButton a:hover {background:[[ColorPalette::Foreground]]; color:[[ColorPalette::Background]]; border:none;}
#backstagePanel {background:[[ColorPalette::Background]]; border-color: [[ColorPalette::Background]] [[ColorPalette::TertiaryDark]] [[ColorPalette::TertiaryDark]] [[ColorPalette::TertiaryDark]];}
.backstagePanelFooter .button {border:none; color:[[ColorPalette::Background]];}
.backstagePanelFooter .button:hover {color:[[ColorPalette::Foreground]];}
#backstageCloak {background:[[ColorPalette::Foreground]]; opacity:0.6; filter:'alpha(opacity:60)';}
/*}}}*/

/*{{{*/
* html .tiddler {height:1%;}

body {font-size:.75em; font-family:arial,helvetica; margin:0; padding:0;}

h1,h2,h3,h4,h5,h6 {font-weight:bold; text-decoration:none;}
h1,h2,h3 {padding-bottom:1px; margin-top:1.2em;margin-bottom:0.3em;}
h4,h5,h6 {margin-top:1em;}
h1 {font-size:1.35em;}
h2 {font-size:1.25em;}
h3 {font-size:1.1em;}
h4 {font-size:1em;}
h5 {font-size:.9em;}

hr {height:1px;}

a {text-decoration:none;}

dt {font-weight:bold;}

ol {list-style-type:decimal;}
ol ol {list-style-type:lower-alpha;}
ol ol ol {list-style-type:lower-roman;}
ol ol ol ol {list-style-type:decimal;}
ol ol ol ol ol {list-style-type:lower-alpha;}
ol ol ol ol ol ol {list-style-type:lower-roman;}
ol ol ol ol ol ol ol {list-style-type:decimal;}

.txtOptionInput {width:11em;}

#contentWrapper .chkOptionInput {border:0;}

.externalLink {text-decoration:underline;}

.indent {margin-left:3em;}
.outdent {margin-left:3em; text-indent:-3em;}
code.escaped {white-space:nowrap;}

.tiddlyLinkExisting {font-weight:bold;}
.tiddlyLinkNonExisting {font-style:italic;}

/* the 'a' is required for IE, otherwise it renders the whole tiddler in bold */
a.tiddlyLinkNonExisting.shadow {font-weight:bold;}

#mainMenu .tiddlyLinkExisting,
	#mainMenu .tiddlyLinkNonExisting,
	#sidebarTabs .tiddlyLinkNonExisting {font-weight:normal; font-style:normal;}
#sidebarTabs .tiddlyLinkExisting {font-weight:bold; font-style:normal;}

.header {position:relative;}
.header a:hover {background:transparent;}
.headerShadow {position:relative; padding:4.5em 0em 1em 1em; left:-1px; top:-1px;}
.headerForeground {position:absolute; padding:4.5em 0em 1em 1em; left:0px; top:0px;}

.siteTitle {font-size:3em;}
.siteSubtitle {font-size:1.2em;}

#mainMenu {position:absolute; left:0; width:10em; text-align:right; line-height:1.6em; padding:1.5em 0.5em 0.5em 0.5em; font-size:1.1em;}

#sidebar {position:absolute; right:3px; width:16em; font-size:.9em;}
#sidebarOptions {padding-top:0.3em;}
#sidebarOptions a {margin:0em 0.2em; padding:0.2em 0.3em; display:block;}
#sidebarOptions input {margin:0.4em 0.5em;}
#sidebarOptions .sliderPanel {margin-left:1em; padding:0.5em; font-size:.85em;}
#sidebarOptions .sliderPanel a {font-weight:bold; display:inline; padding:0;}
#sidebarOptions .sliderPanel input {margin:0 0 .3em 0;}
#sidebarTabs .tabContents {width:15em; overflow:hidden;}

.wizard {padding:0.1em 1em 0em 2em;}
.wizard h1 {font-size:2em; font-weight:bold; background:none; padding:0em 0em 0em 0em; margin:0.4em 0em 0.2em 0em;}
.wizard h2 {font-size:1.2em; font-weight:bold; background:none; padding:0em 0em 0em 0em; margin:0.4em 0em 0.2em 0em;}
.wizardStep {padding:1em 1em 1em 1em;}
.wizard .button {margin:0.5em 0em 0em 0em; font-size:1.2em;}
.wizardFooter {padding:0.8em 0.4em 0.8em 0em;}
.wizardFooter .status {padding:0em 0.4em 0em 0.4em; margin-left:1em;}
.wizard .button {padding:0.1em 0.2em 0.1em 0.2em;}

#messageArea {position:fixed; top:2em; right:0em; margin:0.5em; padding:0.5em; z-index:2000; _position:absolute;}
.messageToolbar {display:block; text-align:right; padding:0.2em 0.2em 0.2em 0.2em;}
#messageArea a {text-decoration:underline;}

.tiddlerPopupButton {padding:0.2em 0.2em 0.2em 0.2em;}
.popupTiddler {position: absolute; z-index:300; padding:1em 1em 1em 1em; margin:0;}

.popup {position:absolute; z-index:300; font-size:.9em; padding:0; list-style:none; margin:0;}
.popup .popupMessage {padding:0.4em;}
.popup hr {display:block; height:1px; width:auto; padding:0; margin:0.2em 0em;}
.popup li.disabled {padding:0.4em;}
.popup li a {display:block; padding:0.4em; font-weight:normal; cursor:pointer;}
.listBreak {font-size:1px; line-height:1px;}
.listBreak div {margin:2px 0;}

.tabset {padding:1em 0em 0em 0.5em;}
.tab {margin:0em 0em 0em 0.25em; padding:2px;}
.tabContents {padding:0.5em;}
.tabContents ul, .tabContents ol {margin:0; padding:0;}
.txtMainTab .tabContents li {list-style:none;}
.tabContents li.listLink { margin-left:.75em;}

#contentWrapper {display:block;}
#splashScreen {display:none;}

#displayArea {margin:1em 17em 0em 14em;}

.toolbar {text-align:right; font-size:.9em;}

.tiddler {padding:1em 1em 0em 1em;}

.missing .viewer,.missing .title {font-style:italic;}

.title {font-size:1.6em; font-weight:bold;}

.missing .subtitle {display:none;}
.subtitle {font-size:1.1em;}

.tiddler .button {padding:0.2em 0.4em;}

.tagging {margin:0.5em 0.5em 0.5em 0; float:left; display:none;}
.isTag .tagging {display:block;}
.tagged {margin:0.5em; float:right;}
.tagging, .tagged {font-size:0.9em; padding:0.25em;}
.tagging ul, .tagged ul {list-style:none; margin:0.25em; padding:0;}
.tagClear {clear:both;}

.footer {font-size:.9em;}
.footer li {display:inline;}

.annotation {padding:0.5em; margin:0.5em;}

* html .viewer pre {width:99%; padding:0 0 1em 0;}
.viewer {line-height:1.4em; padding-top:0.5em;}
.viewer .button {margin:0em 0.25em; padding:0em 0.25em;}
.viewer blockquote {line-height:1.5em; padding-left:0.8em;margin-left:2.5em;}
.viewer ul, .viewer ol {margin-left:0.5em; padding-left:1.5em;}

.viewer table, table.twtable {border-collapse:collapse; margin:0.8em 1.0em;}
.viewer th, .viewer td, .viewer tr,.viewer caption,.twtable th, .twtable td, .twtable tr,.twtable caption {padding:3px;}
table.listView {font-size:0.85em; margin:0.8em 1.0em;}
table.listView th, table.listView td, table.listView tr {padding:0px 3px 0px 3px;}

.viewer pre {padding:0.5em; margin-left:0.5em; font-size:1.2em; line-height:1.4em; overflow:auto;}
.viewer code {font-size:1.2em; line-height:1.4em;}

.editor {font-size:1.1em;}
.editor input, .editor textarea {display:block; width:100%; font:inherit;}
.editorFooter {padding:0.25em 0em; font-size:.9em;}
.editorFooter .button {padding-top:0px; padding-bottom:0px;}

.fieldsetFix {border:0; padding:0; margin:1px 0px 1px 0px;}

.sparkline {line-height:1em;}
.sparktick {outline:0;}

.zoomer {font-size:1.1em; position:absolute; overflow:hidden;}
.zoomer div {padding:1em;}

* html #backstage {width:99%;}
* html #backstageArea {width:99%;}
#backstageArea {display:none; position:relative; overflow: hidden; z-index:150; padding:0.3em 0.5em 0.3em 0.5em;}
#backstageToolbar {position:relative;}
#backstageArea a {font-weight:bold; margin-left:0.5em; padding:0.3em 0.5em 0.3em 0.5em;}
#backstageButton {display:none; position:absolute; z-index:175; top:0em; right:0em;}
#backstageButton a {padding:0.1em 0.4em 0.1em 0.4em; margin:0.1em 0.1em 0.1em 0.1em;}
#backstage {position:relative; width:100%; z-index:50;}
#backstagePanel {display:none; z-index:100; position:absolute; margin:0em 3em 0em 3em; padding:1em 1em 1em 1em;}
.backstagePanelFooter {padding-top:0.2em; float:right;}
.backstagePanelFooter a {padding:0.2em 0.4em 0.2em 0.4em;}
#backstageCloak {display:none; z-index:20; position:absolute; width:100%; height:100px;}

.whenBackstage {display:none;}
.backstageVisible .whenBackstage {display:block;}
/*}}}*/

/***
StyleSheet for use when a translation requires any css style changes.
This StyleSheet can be used directly by languages such as Chinese, Japanese and Korean which use a logographic writing system and need larger font sizes.
***/

/*{{{*/
body {font-size:0.8em;}

#sidebarOptions {font-size:1.05em;}
#sidebarOptions a {font-style:normal;}
#sidebarOptions .sliderPanel {font-size:0.95em;}

.subtitle {font-size:0.8em;}

.viewer table.listView {font-size:0.95em;}

.htmlarea .toolbarHA table {border:1px solid ButtonFace; margin:0em 0em;}
/*}}}*/

/*{{{*/
@media print {
#mainMenu, #sidebar, #messageArea, .toolbar, #backstageButton {display: none ! important;}
#displayArea {margin: 1em 1em 0em 1em;}
/* Fixes a feature in Firefox 1.5.0.2 where print preview displays the noscript content */
noscript {display:none;}
}
/*}}}*/

<!--{{{-->
<div class='header' macro='gradient vert [[ColorPalette::PrimaryLight]] [[ColorPalette::PrimaryMid]]'>
<div class='headerShadow'>
<span class='siteTitle' refresh='content' tiddler='SiteTitle'></span>&nbsp;
<span class='siteSubtitle' refresh='content' tiddler='SiteSubtitle'></span>
</div>
<div class='headerForeground'>
<span class='siteTitle' refresh='content' tiddler='SiteTitle'></span>&nbsp;
<span class='siteSubtitle' refresh='content' tiddler='SiteSubtitle'></span>
</div>
</div>
<div id='mainMenu' refresh='content' tiddler='MainMenu'></div>
<div id='sidebar'>
<div id='sidebarOptions' refresh='content' tiddler='SideBarOptions'></div>
<div id='sidebarTabs' refresh='content' force='true' tiddler='SideBarTabs'></div>
</div>
<div id='displayArea'>
<div id='messageArea'></div>
<div id='tiddlerDisplay'></div>
</div>
<!--}}}-->

<!--{{{-->
<div class='toolbar' macro='toolbar closeTiddler closeOthers +editTiddler > fields syncing permalink references jump'></div>
<div class='title' macro='view title'></div>
<div class='subtitle'><span macro='view modifier link'></span>, <span macro='view modified date'></span> (<span macro='message views.wikified.createdPrompt'></span> <span macro='view created date'></span>)</div>
<div class='tagging' macro='tagging'></div>
<div class='tagged' macro='tags'></div>
<div class='viewer' macro='view text wikified'></div>
<div class='tagClear'></div>
<!--}}}-->

<!--{{{-->
<div class='toolbar' macro='toolbar +saveTiddler -cancelTiddler deleteTiddler'></div>
<div class='title' macro='view title'></div>
<div class='editor' macro='edit title'></div>
<div macro='annotations'></div>
<div class='editor' macro='edit text'></div>
<div class='editor' macro='edit tags'></div><div class='editorFooter'><span macro='message views.editor.tagPrompt'></span><span macro='tagChooser'></span></div>
<!--}}}-->

To get started with this blank TiddlyWiki, you'll need to modify the following tiddlers:
* SiteTitle & SiteSubtitle: The title and subtitle of the site, as shown above (after saving, they will also appear in the browser title bar)
* MainMenu: The menu (usually on the left)
* DefaultTiddlers: Contains the names of the tiddlers that you want to appear when the TiddlyWiki is opened
You'll also need to enter your username for signing your edits: <<option txtUserName>>

These InterfaceOptions for customising TiddlyWiki are saved in your browser

Your username for signing your edits. Write it as a WikiWord (eg JoeBloggs)

<<option txtUserName>>
<<option chkSaveBackups>> SaveBackups
<<option chkAutoSave>> AutoSave
<<option chkRegExpSearch>> RegExpSearch
<<option chkCaseSensitiveSearch>> CaseSensitiveSearch
<<option chkAnimate>> EnableAnimations

----
Also see AdvancedOptions

disc 1
1. Fanfare for the Common Man
2. Desde la Vida
3. Lover to Lover
4. You Do or You Don't
5. Hoedown
6. Talkin' Bout

disc 2
1. Creole Dance
2. On My Way Home
3. Runaway
4. Standing in the Shadows of Love
5. America/Rondo/Drum Solo
6. Eight Miles High

The wiki will be under startup construction for a bit. My goal is to have it up to date by July 1, 2006.

I'm also working on an RSS feed, so you can just subscribe to updates.

Intro
Crazy Eights
Mysterious Conversation
Ursula in Summer
Drifting into the Attack
Theme from an Imaginary Western
Uptown Breakdown
Sleight of Hand
Bloody Mary
audience
Something in B Flat

Jack Bruce - bass, vocals
Billy Cobham - drums
Allan Holdsworth - guitar
Didier Lockwood - violin
David Sancious - keyboards

Trade history
jazzvines: offered 2007-08-04

Fly on the Wall
Back in Black
Shake Your Foundations
Dirty Deeds Done Dirt Cheap
You Shook Me All Night Long
Sin City
Jailbreak
The Jack
Shoot to Thrill

Highway to Hell
Sink the Pink
Whole Lotta Rosie
Let There Be Rock
Hell's Bells
T.N.T.
For Those About to Rock (We Salute You)

Disc 1
1 Sirius/Eye In The Sky
2 I Wouldn’t Want To Be Like You
3 Can’t Take It With You
4 Old And Wise
5 Money Talks/La Sagrada Familia
6 Days Are Numbers (The Traveller)
7 Prime Time
8 Limelight
9 Time
10 Turn It Up
11 Standing On Higher Ground
12 Blue Blue Sky II
13 I Can’t Look Down
14 So Far Away

Disc 2
1 Fall Free
2 Cloudbreak
3 Brother Up In Heaven
4 (The System Of) Dr. Tarr & Pr. Fether
5 Psychobabble
6 Don’t Answer Me
7 Band Intro/You’re Gonna Get Your Fingers Burned
8 Games People Play

Transfer: CD-R from trade > EAC > FLAC Level 8 > you 

Disc 1 
1 Magical Mystery Tour 
2 Sirius/Eye In The Sky 
3 Barracuda 
4 Hello It’s Me 
5 You’re The Biggest Part of Me 
6 The Real Me 
7 Back In The U.S.S.R. 
8 Lady Madonna 
9 I’m Down 
10 The Fool On The Hill 
11 While My Guitar Gently Weeps 
12 Yesterday 
13 Here Comes The Sun 
 
Disc 2
1 Lucy In The Sky With Diamonds
2 You’ve Got To Hide Your Love Away
3 Maybe I’m Amazed
4 Rain
5 Blackbird
6 Everybody’s Got Something To Hide Except Me And My Monkey
7 Revolution
8 Day Tripper
9 Ticket To Ride
10 I Want To Hold Your Hand
11 Hey Jude
12 Birthday
13 Golden Slumbers/Carry That Weight/The End

Alan Parsons: Guitars, Vocals & Keyboard 
Todd Rundgren: Guitars & Vocals 
Ann Wilson: Vocals & Flute 
John Entwistle: Bass & Vocals 
David Pack: Guitars & Vocals 
Godfrey Townsend: Guitars 
Steve Loungo: Drums 
John Beck: Keyboards 

Intro/I Robot
Damned If I Do
Don't Answer Me
Breakdown
The Raven
Luciferama
What Goes Up
Limelight
Time
Psychobabble
Return to Tunguska

More Lost without You
I Wouldn't Want to Be Like You
We Play the Game
Don't Let It Show
Prime Time
Sirius/Eye in the Sky
Dr. Tarr and Professor Fether
Old & Wise
Games People Play

Statesboro Blues
Don't Keep Me Wonderin'
Done Somebody Wrong
One Way Out
In Memory of Elizabeth Reed
Midnight Rider
Hot 'Lanta
Whipping Post
You Don't Love Me

Trade history:
2007-08-12 received in trade

Amy's set:
1. [tuning up]
2. Shopping Around
3. Cynically Yours
4. Beer & Kisses
5. Are We Ever Gonna Have Sex Again
6. Summer of My Wasted Youth
7. Keep It to Yourself
8. I Hate Every Bone in Her Body
9. Magicians
10. Til the Wheels Fall Off (w/ Todd Snider)
11. Balls
12. 20 Questions

Todd's set:
1. Easy Money
2. 45 Miles
3. [Devil's Backbone intro]
 Ballad of the Devil's Backbone Tavern
4. D.B. Cooper
5. [Moondawg story]
 Moondawg's Tavern
6. Doublewide Blues > Why Don't We Get Drunk and Screw (Jimmy Buffet)
7. [Moondawg's funeral]
 Can't Complain
8. Beer Run
9. Class of '85
10. Waco Moon
11. [Tillamook County Jail story]
 Tillamook County Jail
12. [End of Tillamook County Jail story]
 Keep Off the Grass
13. Vinyl Records
14. What's Wrong with You
15. Alright Guy
16. Illegal Smile (John Prine)
17. Freebird > Sideshow Blues

DISC 2
1. [Skip story]
 Broke
2. Satisfaction (Rolling Stones) (w/ Amy Rigby)
3. Satisfaction Guaranteed (w/ Amy Rigby)
4. Somebody's Comin'
5. I Believe You/Amazing Grace

Audience > DAT > 1st copy > eac > wave > flac frontend 

Disc 1 :

01. Intro (2:50)
02. Stella (7:18)
03. Angoh! / Band Introduction (10:05)
04. New & Unreleased (3:14)
05. Dancing With The Lion (5:28)
o6. Cor Do Amor (4:26)
07. Passionata (7:05)
08. Under One Moon (7:30)
09. Belladonna (3:44)
10. Morgana Palace (12:57)

Disc 2 :

01. Behind The Garden (13:15)
02. The Secret, The Candle And Love (3:28)
03. Moon Dance / Geastrum Coronatum (10:15)
04. First Free Improvisation Encore (11:15)
05. Second Free Improvisation Encore (5:53)

Andreas Vollenweider - Electric Modified Pedal Harp, Vocals
Walter Keiser - Drums, Percussion
Andi Pupato - Percussion
Daniel Küffer - Keyboard, Saxophone, Flute, Percussion, Akkordeon

Disc One:

01) Intro (John Bell)
02) Fixin' To Die
03) No Egos Underwater
04) Shoeless Joe
05) Yield Not To Temptation
06) Planet Earth
07) Time Flack
08) Salty Dog
09) Ain't Nothing You Can Do*
10) Compared To What
11) Trondossa
12) Workin' On A Building

Disc Two:

01) Zambi>
02) Space Is The Place/Rocket #9> Drums> Space Is The Place>
03) Jazz Bank>
04) Davy Crockett
05) Cheese Frog
06) E:) Time Is Free

Wake Up
Neighborhood #2 (Laika)
No Cars Go
Haiti
Headlights Look Like Diamonds
Sleeping in a Submarine
Five Years
Neighborhood #1 (Tunnels)
Neighborhood #3 (Power Out) > Rebellion (Lies)

This is my Wiki for Booting the System, my collection of unofficial live recordings.

1/1
1/2
2/1
2/2
Everything Merges with the Night
Burning Airlines Give You So Much More

Brian Eno: Music for Airports 
 
When we first heard Music for Airports in the late seventies/early eighties it was like a door cracking open. This record-long piece was mesmerizing, dreamy, intense and meant to be played in or thought of as fitting into a specific environment. It was a redefinition of how we relate to music in our everyday lives. Brian Eno was exploring the question of where music could go. Could its home lie somewhere outside of the muzak of elevators and dentists' offices and outside of the concert hall as well? Could it exist somewhere in between? Eno was essentially defining Ambient music. Twenty years ago there were no Ambient departments in record stores. There were no New Age or techno sections, no chill rooms. Music for Airports kicked off a whole web of musics that hadn't existed previously. But the unique factor about Eno's work was that although it could and can exist in the background of everyday life it is music that carries a potency and integrity that goes far beyond the incidental. It's music that is carefully, beautifully, brilliantly constructed and its compositional techniques rival the most intricate of symphonies. What Eno didn't imagine was that his piece would be realized with live musicians. In his analog studio, methodically stringing out bits of tape and looping them over themselves, he hadn't anticipated that a new generation of musicians would take his music out of the studio and perform it on live instruments in a public forum. Over at Bang on a Can we have always searched for the redefinition of music, exploring the boundaries outside of what is expected. This recording represents a further step in this exploration. After 20 years where does this landmark piece fit into our ever expanding definition? The effect has only begun. The Music for Airports revolution is just beginning to unfold. The live realization of Music for Airports stays close to the source. To the core group of the Bang on a Can All-Stars we've added voices, brass, winds and pipa, filling out the orchestra of sound that emerged in our minds from Eno's original synthesized recording. We have had the great pleasure of sharing the project plans with Brian Eno along the way. We are indebted to him for giving us the experience of getting inside and out of this monumental work. - Michael Gordon, David Lang, Julia Wolfe 

Mysteries
Romance
Drake
Resolve
Spider Monkey
Tom the Model
Autumn Leaves
Funny Time of the Year
Candy Says
Show

Mysteries
Romance
Drake
Resolve
Spider Monkey
Tom the Model
Sand River
Funny Time of Year
Candy Says
Show

Soul for Every Cowboy
Kensington Line
Hysteria
Dinner with Ivan
Julianna
Turn the Light Out
Magdelina
Secret Mission
Ellis Island
Helpless
Riveria
It's Alright
Carolina
Please Don't Tell Her
Runaway Train
Resignation Superman
Again and Again
City on Fire
Sister Sweetly
Circle
Tangerine
Strategem
Vincent of Jersey > The Leaving Song
Bittersweet
Crazy Mary
Freedom Fighter
Broken Hearted Savior

Disc 1

Beautiful World
Dirty Juice
Crazy Mary
Secret Mission
Stratagem
Lets Get it on*/ Sister Sweetly
Moose Song
Caroline
Friend of the Devil%
Peacemakers Blues/ Broken Hearted Savior

Disc 2
Conquistador
Geography of a Horse Dreamer
Vincent of Jersey/ The Leaving Song
Come On Come On
Riviera
Tangerine
Love Transmission
In the Morning
Bittersweet
Resignation Superman
crowd before encore
Monument in Green
Circle

No Truce with the Furies
If Summer Had Its Ghosts
Forgiveness
Some Shiver, While He Cavorts
A Part, and Yet Apart
Footloose and Fancy Free
Dewey Eyed, Then Dancing
Pigalle
Original Sin

Mr. Memory
Blues for LA
Keep Your Eyes Open
Rain, Rain
Roscoe
Lookout for Hope
Shenandoah
Egg Radio

Big Shoe
Poem for Eva
Introductions
Lookout for Hope #2
Keep Your Eyes Open #2
My Buffalo Girl
Monroe
Verona

Cadillac 1959
That Was Then
The Pioneers
Poem for Eva #2
Mr. Memory #2
Big Shoe #2 
Untitled

Blackfield
Open Mind
The Hole In Me
Glow
Pain
Epedemic
Hello
Cloudy Now

 Once
Miss U
Blackfield
Christenings
The Hole In Me
1,000 People
Pain
Glow
Thank U (Alanis Morissette)
Epidemic
Some Day
Set II
Open Mind
My Gift Of Silence
Where Is My Love
End Of The World
Hello
Once
Cloudy Now

Blackfield
Open Mind
The Hole In Me
Glow
Pain
Lullaby
Summer
Where Is My Love?
Cloudy Now
Scars
Hello
Feel So Low

Don't Tell Me
What's Your Problem?
That's Love That It Is
Don't You Love It All?
Why Don't They Leave Things Alone?
God's Kitchen
Lose Your Love
Paradise Is
Other Animals
Game Above My Head
Living On The Ceiling
I've Seen The Word
Kind
Blind Vision

intro tape
Stairway to the Stars
Harvester of Eyes
Cities on Flame with Rock and Roll
E.T.I.
Morning Final
Flaming Telepaths
Then Came the Last Days of May
ME-262
Dominance and Submission

Buck's Boogie
This Ain't the Summer of Love
5 Guitars
Born to Be Wild
(Don't Fear) The Reaper

For hard-core collectors only. ME-262 is incomplete, and the recording of D&S is botched. This also includes a very gratuitous drum solo.

R.U.Ready To Rock
E.T.I.
Cities On Flame
Hot Rails To Hell
Godzilla
This Ain't The Summer of Love
Born To be Wild
Don't Fear The Reaper

Dominance & Submission
Dr. Music
Mirrors
Cities On Flame With Rock 'N Roll
The Great Sun Jester
Buck's Boogie
The Vigil

Astronomy
ME 262
Godzilla
Hot Rails To Hell
Bass Solo
5 Guitars
Born To Be Wild

The recording is a bit dated, but the stereo separation is fantastic, and the performance is great (esp. BB). Astronomy features a different solo than usually played. We'll even forgive the electric tom toms in Dr. Music. Listen for the motorcycle Eric rides onto stage at the beginning of BTBW.

Dr. Music
ETI
Lips in the Hills
Unknown Tongue
Cities on Flame
The Marshall Plan
Hungry Boys
Divine Wind
Me262
Hot Rails to Hell

Black Blade
Godzilla
Bass Solo
Five Guitars
Born to Be Wild
Don't Fear the Reaper (incomplete)

Mastered a bit too high & fast. Likely a SBD or Pre-FM

Dr. Music
Lips in the Hills
Unknown Tongue
Cities on Flame
The Marshall Plan
Divine Wind
Last Days of May
It's Not Easy
Me262

Black Blade
Godzilla
Five Guitars
Born to Be Wild
Arthur Comics
Roadhouse Blues
Don't Fear the Reaper

Performing as Soft White Underbelly

Dr. Music
ETI
Burnin' for You
Fire of Unknown Origin
Cities on Flame
Joan Crawford
Flaming Telepaths
Veteran of the Psychic Wars

Me262
Hot Rails to Hell
Godzilla
Born to Be Wild
Heavy Metal
Don't Fear the Reaper
Roadhouse Blues

Quite simply one of my favorite concerts of all time.

Dr. Music
ETI
Burnin' for You
Fire of Unknown Origin
Cities on Flame
Joan Crawford
Flaming Telepaths
Veteran of the Psychic Wars
Hot Rails to Hell

Me262
Heavy Metal
Don't Fear the Reaper
Godzilla
Born to Be Wild
Five Guitars
Roadhouse Blues

intro
Dr. Music
E.T.I.
Hot Rails to Hell
Cities on Flame
Joan Crawford
Burnin' for You
Seven Screaming Diz-Busters

Veteran of the Psychic Wars
ME-262
Godzilla
bass solo
Born to Be Wild
(Don't Fear) The Reaper
Roadhouse Blues

1.  R. U. Ready 2 Rock
2.  White Flags
3.  Take Me Away
4.  Dancin' In The Ruins
5.  The Shadow Warrior
6.  Burnin' For You
7.  Godzilla
8.  Wings Of Mercury
9.  (Don't Fear) The Reaper
10. Born To Be Wild
11. Let Go
12. Shooting Shark

Released in 1993 by the "International Broadcast Recordings" 
label.  Recorded at the Civic Auditorium in Santa Monica, CA on 
3/27/1986.  However, the last 3 songs on the CD are actually from a 
2/14/1984 show at the Hammersmith Odeon in London.  The California 
portion of this recording (often incorrectly referred as being from Los 
Angeles) was broadcast on "The King Biscuit Flower Hour" on 7/13/1986.  
This show was rebroadcast by King Biscuit on 8/31/1998, and sent to 
radio stations on CD (the last 3 songs were not part of the King Biscuit 
broadcast, and therefore not on this radio-only CD).  "Wings Of Mercury" 
is credited as written by Donald Roeser, Eric Bloom, and Albert 
Bouchard.  However, according to Bolle Gregmar, the song was actually 
written by Dream Syndicate (Karl Precoda), and given to BOC to use (both 
Dream Syndicate and BOC were managed by Sandy Pearlman, and Tommy 
Zvoncheck plays keyboards on at least one Dream Syndicate album).  It 
was planned to be played by BOC on the Hear 'n Aid project (a heavy-
metal album project organized by Ronnie James Dio to raise money for the 
hungry -- the album featured a group of stars singing one song, plus a 
number of tracks by some of the artists), but was not used.  "Wings Of 
Mercury" was actually played as the first encore of the Santa Monica 
show, but was inserted in-between "Godzilla" and "(Don't Fear) The 
Reaper" for the radio broadcast.  The recording of "Born To Be Wild" 
appears to have been edited to remove the "Texas Chainsaw guitar duel".  
The second verse of "Shooting Shark" is not on the recording -- either 
the band did not perform the second verse, or it was edited out of the 
mix.  The name of this release no doubt comes from the Celtic Frost song 
of the same name.  

R.U. Ready 2 Rock
Dominance and submission
ETI
I am the one you warned me of
Buck's boogie
Astronomy'88
Take me away

In the presence of another world
Flaming Telepaths
Cities on flame
Joan Crawford
Burnin' for you
This ain't the summer of love
Golden age of leather

CD1

R.U. Ready 2 Rock
Dominance and submission
ETI
I am the one you warned me of
Buck's boogie
Astronomy'88
Take me away

CD2

In the presence of another world
Flaming Telepaths
Cities on flame
Joan Crawford
Burnin' for you
Godzilla (Drum solo)
(Don't fear) The Reaper

Encores:
This ain't the summer of love
Golden age of leather
The red and the black

Stairway to the Stars
Dominance and Submission
Before the Kiss (A Redcap)
ETI
Buck's Boogie
Take Me Away
Cities on Flame
Astronomy
Career of Evil

Unknown Tongue
Burnin' for You
Godzilla
Don't Fear the Reaper
This Ain't the Summer of Love
The Red and the Black

Stairway to the Stars
Dr. Music
Dominance and Submission
Before the Kiss (A Redcap)
E.T.I.
Demon's Kiss
Teen Archer
Joan Crawford
Cities on Flame
Still Burning
I Love the Night

This Ain't the Summer of Love
ME-262
Harvest Moon
Burnin' for You
Godzilla
(Don't Fear) The Reaper
Golden Age of Leather
The Red and the Black

CD1
Stairway to the stars
Dr. Music
Od'd on life itself
E.T.I.
Harvest moon
Before the kiss
See you in black
Joan Crawford
Flaming telepaths
Cities on flame

CD2
Astronomy
In thee
Lips in the hill
Burnin for you
Godzilla
(Don't fear) the Reaper
Dominance and submission
The Red and the Black

Eric Bloom
Donald "Buck Dharma" Roeser
Allen Lanier
Danny Miranda
Chuck Burgi

intro
Maggie's Farm
The Times They Are A-Changin'
Lonesome Day Blues
Mr. Tambourine Man
It's Alright Ma (I'm Only Bleeding)
Po' Boy
Stuck Inside of Mobile with the Memphis Blues Again
Dignity
Love Sick
Tweedle Dee & Tweedle Dum

Saving Grace
Honest with Me
Ballad of Hollis Brown
Summer Days
Like a Rolling Stone
All Along the Watchtower

taper: Streetcar Visions
Source: Schoeps CCM 4V > Lunatec V3 > Sony M1
Transfer: Sony D8 > Emagic 6/2 > Peak 4.12 > xACT

9th Festival di Cultura e Musica Jazz

Bobo Stenson - piano
Christian Spering - bass
Jon Fait - drums

1. Vers le top (Vladimir Visotzky) 14:17
2. Tonus (Bobo Stenson) 13:29
3. Melancholy (Duke Ellington) 12:01
4. untitled (John Coltrane) 8:01
5. El Major (Silvio Rodriguez) 9:23
6. There Comes a Time (Tony Williams) 9:55
7. Race Face (Ornette Coleman) 7:20

DISC #1 - Set I

01) Interlocking Intro Jam w/ QST ->
02) I Might Be Wrong ->
03) Machine -> #
04) Astphadel ->
05) Interlocking Outro Jam w/ QST

DISC #2 - Set II

01) Interlocking Intro Jam w/ QST ->
02) Who Really Runs the Planet ->
03) Bottlecap ->
04) Who Really Runs the Planet
05) Crowd/Banter
06) Catharsis
07) Crowd/Banter
Encore (with QST)
08) Boy

source:
microtech gefell sms2000/200 > ps2 > ad20 > d8
d8 > dio2448 > cdwave > shn
(# 3:25 - 9:20 segment of d1t03 is AT3528 -> PS/2 -> AD-20 -> D8
 to replace dropout caused by low ps2 battery)
tape and transfer by steve sanford - tracking by andrei marinenko

Set 1 

Let's Start A Gang -> Inside The Tinman -> Celebrity -> Catharsis -> Inside The Tinman, State Police -> Catharsis

Set 2 

Dead Clowns -> Machine -> Too Late To Call -> Machine, Leave The Light On -> Fascination Street -> A Wonderful Day -> Fascination Street

E: Getaway Somehow -> A Wonderful Day

Opening Comments
Tenth Avenue Freeze Out
Spirit in the Night
Then She Kissed Me
Growin' Up
It's Hard to Be a Saint in the City
Intro to the E Street Shuffle
The E Street Shuffle
When You Walk In the Room
She's the One
Born to Run
Thunder Road

Intro to Kitty's Back
Kitty's Back
Rosalita
Encore Comments
Sandy
Quarter to Three
Closing Comments

Jungleland
Kitty's Back
The E Street Shuffle
Jungleland
Tenth Avenue Freeze-Out
It's Hard to Be a Saint in the City
Thunder Road
When You Walk In the Room
She's the One

From the liner notes:

August 15, 1975 - High Temp in NYC 85, Low 65, Wind 10mph avg, gusts to 15mph. No precipitation.

A breezy midsummer night in NYC, where all the heat was concentrated on the
corner of West 4th and Mercer in Greenwich Village, NY.

Lots of Springsteen fans (me included) couldn't get into the Bottom Line - it usually seats 400, but there was
a larger than usual number of music industry seats reserved for these 10 shows (two shows each night
August 13-17.)

WNEW-FM broadcast the early show Friday night.

I've been searching for a complete copy of this broadcast since that night, when
the mono reel to reel tapes I made had many missing pieces due to lots of different reasons.

All of the bootlegs released by the profiteers were incomplete in some way, minor or major.

Finally, in March 2004, nearly 29 years later. I found it. It is not the final word on
this show in terms of sound quality, but it is the COMPLETE broadcast, without anything missing.

Turn it on and listen to it just like you would have back in August 1975. All the station
breaks and DJ chat and such are there.

Thanks to the many people involved in this project, from the tape source, to those
who let me borrow reel to reel decks to get the dub to DAT, to others who gave advice on
mastering procedures or supplied alternate sources. Your kindness will not be forgotten.

If I Should Fall Behind
Reason to Believe
Devils & Dust
Lonesome Day
Long Time Comin'
All That Heaven Will Allow
Tougher Than the Rest
Intro to Part Man, Part Monkey
Part Man, Part Monkey
All I'm Thinkin' About
Galveston Bay
Reno
Valentine's Day
The River
The Rising
Darkness on the Edge of Town

Intro to Jesus Was an only Son
Jesus Was an only Son
Two Hearts
Leah
The Hitter
Matamoros Banks
Waitin' on a Sunny Day
Wild Billy's Circus Story
The Promised Land
Dream Baby Dream

disc one:
American Land
John Henry
O Mary Don't You Weep
Johnny 99
Old Dan Tucker
Eyes on the Prize
Jesse James
Atlantic City
Erie Canal
My Oklahoma Home

disc two:
If I Should Fall Behind
Mrs. McGrath
How Can a Poor Man Stand Such Times and Live?
Jacob's Ladder
We Shall Overcome
Open All Night
Pay Me My Money Down

disc three:
Bring Them Home
My City of Ruins
Ramrod
You Can Look (But You Better Not Touch)
When the Saints Go Marching In

T853 Hypercardoid > Microtrack 24/96 (24 bit/44.1 kbit)
Section 202, row E
mics in hat, 17cm sep., 70 deg
Taped by Scoper

Recorded from the left side about 
5 rows back.

CoreSound Binaurals w/ bass rolloff >
Sony D8 > Philips CDR-880 > Extracted w/
CD Creator > Cool Edit Pro for some level
adjustments and high end boost > CD Wave >
FLAC Frontend

disc one:

American Land
John Henry
O Mary Don't You Weep
Old Dan Tucker
Atlantic City
Long Black Veil
Jesse James
Long Time Comin'
Erie Canal
My Oklahoma Home

disc two:

If I Should Fall Behind
Mrs. McGrath
Devils & Dust
How Can a Poor Man Stand Such Times and Live?
Jacob's Ladder
We Shall Overcome
Open All Night
Pay Me My Money Down

disc three:

My City of Ruins
Ramrod
You Can Look (But You Better Not Touch)
When the Saints Go Marching In
The Man on the Flying Trapeze

bonus track :
Maria's Bed (6/24/06, recorded from lawn)

Change
02
Sharing
Gare du Nord
05
Existence
Moving

Intro
Next
Throwdown at the Hoedown
Intro > 3/4
Off the Top
Vic solo
Am Latin

Intro
Futch solo
Futch with Béla
Big Country
Dm 5/4
Mars Needs Women
Earth Jam
Béla solo
Hoedown

Earth Jam
Cheeseballs in Cowtown
Lover's Leap
Untitled
Futch solo
Futch & Béla
Big Country

Vic solo
Vic & Jeff > Throwdown at the Hoedown
Extra New Guitar
New G Tune
Blu Bop
New South Africa
Béla solo
applause
The Sinister Minister
Sleeping Dogs

1: Intro
2: Wash
3: The Ride, Part II
4: Service & Repair
5: Tulsa Telephone Book
6: Fade
7: Minas de Cobre
8: Ballad of Cable Hogue
9: Canción del Mariachi
10: El Picador
11: Frontera/Trigger
12: Hey Baby, Qué Paso
13: Stray
14: Cascabel
15: Crystal Frontier

Source: SBD/AUD Matrix (Multitrack)> Master DAT > Mastering (custom - analog & digital - 10/02/04) > CDR(m) > FLAC
Lineage: CDR(m) > EAC (secure) > WAV > FLAC [7]

Disk 1

1: Pepita
2: Across the Wire
3: Quattro
4: Frontera/Trigger
5: Dub Latina
6: Sunken Waltz
7: El Picador
8: Not Even Stevie Nicks
9: Fade
10: Fatal Spring >
11: Close Behind
12: Woven Birds
13: Minas de Cobre
14: Spokes
15: Stray
16: Corona
17: Güero Canelo

Disk 2

1: Black Heart
2: Falling Rain*
3: Alone Again Or*
4: Cancion Del Mariachi
5: Crystal Frontier
6: Attack El Robot! Attack!

Source: SBD/AUD Matrix (Multitrack)> Master CDR(PreFM)>Mastered via SADiE w/ 24 bit Drawmer Masterflow Processing (05/03)> CDR
Lineage: CDR(m) > EAC (secure) > WAV > FLAC [7]
Taped by: Recorded by P3 Live (Sweeden)
Transfered by: Mastered by Jim Blackwood - Official Calexico Archivist

Peter Gunn
The Barbarian
Hoedown
The Enemy God
Trilogy
L.A. Nights
guitar solo
bass solo

Romeo and Juliet
Tank
Bullfrog
Tocatta
Canario
Tarkus
Fanfare for the Common Man
Carmina Burana

no setlist available

Ch. Lloyd - saxes
Geri Allen - piano
Robert Hurst - bass
Billy Hart - drums

Two discs of improvised jams.

Disc 1 
01. Senior Ballz Intro
02. ??
03. ??
04. Shag
05. T-Ski
06. A Love Supreme
07. BH Goes To A Freak
08. Red Eyed Wonder
09. Chatter
10. ??
11. ??

Disc 2
01. Orbatron Intro>
02. Orbatron
03. Security Scuffle
04. Orbatron
05. Sr Ballz Releases "The Claypool">Jam>
06. Crazy Train Tease (Ozzy Osbourne)>
08. Immigrant Song (Led Zeppelin)>
09. Thela Hun Ginjeet tease (King Crimson)>
10. Immigrant Song (Led Zeppelin)>
11. Jerry Was A Race Car Driver (Primus)>
12. ...???>
13. Yellow Submarine (Beatles)>
14. When Johnny Comes Marching Home (Traditional)>
15. Crazy Train Tease (Ozzy Osbourne)>
16. Immigrant Song Reprise (Led Zeppelin)
17. Flouride
18. ??>
19. bass jam>
20. Winona's Big Brown Beaver Tease (Primus)>
21. ??
22. The Family And The Fishing Net (Peter Gabriel)

Disc 3
01. Chatter
02. Tomorrow Never Knows (Beatles)
03. Chatter
04. Don't Fear the Reaper (Blue Oyster Cult tease)
05. Whole Lotta Rosie (AC/DC tease)
06. Mount Blasta
07. Introduction of Maurice "The Leopard" Caldwell, Jr
08. Maurice's Rap "I know You Hate my 98"/Mike's Rap Everybody's Gonna Get Small
09. Iron Man Tease (Black Sabbath - lyrics only)
10. My Name Is Mud (Primus tease - lyrics only)
11. ??
12. Burundi
13. Goodnight Now (Cheap Trick)

Source: SBD>DAT + Shure VP88 (onstage)>DAT + Neuman TLM 103 (room mics)>DAT (all at 48k)> Digidesign 888|24 I/O > Pro Tools (for edit & sync)> CDR. Les Claypool on 2nd Set

Northern Cross
Fall On Me
Shades of Gray
I Know What Kind of Love This Is
Ten Year Night
February
Are You Happy Now
Speaking with the Angel
Cold Missouri Waters
Ballad of Mary Magdalene
Auld Lang Syne
Cry Cry Cry

Sound Professional BMC6-mics (AT803b, omni-directional) -> SP batterybox -> Nomad JB3 (48.0kHz WAV, line-in, zero gain) -> USB -> Bias Peak -> few edits -> SHNTool -> SHN.

CD 1:
1. Still water (8:47)
2. The maker (8:26)
3. Slow giving (5:52)
4. Fire (4:30)
5. The messenger (3:56)
6. Rockets (4:53)
7. JJ leaves LA (4:25)
8. Sometimes (2:31)
9. Jolie louise (3:59)
10. Where will i be (6:29)
11. May this be love (6:17)

CD2:
1. chat (1:09)
2. Power of one (6:25)
3. intros (0:56)
4. ?? (solo song with Daryl Johnson) (3:06)
5. The collection of marie claire > Drifting (with blood in my eyes) (7:56)
6. Transmitter (6:05)
7. ?? Cool ?? (7:05)
8. Sweet soul honey (6:34)
9. Brother L.a (6:58)
10. Sleeping in the devils bed (2:28)
11. Rocky world (2:41)
12. Space kay (4:16)

Taper: Ned Ryerson
Source: Schoeps CMC5(modified)/MK41 > Apogee MiniMe (@16/44.1, Soft Limit On) > Sony D8
mods on CMC5 bodies: capacitors, transistors, and jfet changed. caps=Wima MKP2, transistors=2SA1085, jfet=j305.
Location: FOB, DFC
Conversion: Fostex D5 > Audiophile 2496 > Sound Forge 7.0 > CD Wave > MKWact

Disc 1

01 Intro.. 03:03.16
02 Dodo 07:33.63
03 Trouble 07:27.69
04 Up and Away 05:43.29
05 Solsbury Hill 05:00.61
06 Intro to.. 01:48.10
07 Stay or Leave 04:37.19
08 Save Me 05:32.43
09 Oh 03:43.73
10 Up On Cripple Creek 06:19.19
11 Some Devil * 06:32.11
12 Dancing Nancies + 07:48.45
13 Thing ~ 06:57.03
14 Tell Me Something Good 07:46.68

Disc 2

01 Gravedigger 04:45.27
02 Grey Blue Eyes 03:50.18
03 So Damn Lucky 06:50.55
04 Too High 07:35.00
05 Fire 04:25.10
06 Hey Bulldog 09:38.73
Encore:
07 Waste Ä 06:01.31
08 Everyday Ä -> 03:47.46
09 Bathtub Gin Ä -> 05:48.00
10 Thank You 20:20.49

* Dave Solo
+ Dave And Tim
~ Dave, Tim and Brady
Ä Dave And Trey

Source: ASBD>CD?

CD>WAV>FLAC: Mike Belkin <MJBelkin@Uwm.edu>
 All songs encoded using EAC Secure Mode, All tracks 
 ripped had 100% quality.

Disc One:

01: Dancing Nancies * 03:53.35
02: I'll Back You Up * 03:21.12
03: The Maker * 03:40.12
04: Cry Freedom * 04:13.38
05: Song That Jane Likes * 03:03.68
 SET BREAK
06: Warehouse ^ 06:12.52
07: Jimi Thing 09:03.30
08: One Sweet World (Instrumental intro) 06:05.44
09: Lover Lay Down 05:45.74
10: True Reflections 05:05.28

Disc Two:

01: Angel From Montgomery 04:10.12
02: Tripping Billies 06:05.49
03: Recently 08:14.51
04: People People 06:45.26
05: Satellite # 04:59.38
06: Exodus $ 11:36.62
07: Typical Situation @ $ 06:44.22

^ - Mostly Jibberish type lyrics, no real form to them
$ - Featuring Daryl Rhodes on Percussion
# - Earliest known recording
'* - Dave Solo
@ - Extended Boyd and Leroi Intro

NOTES:
'*Most of the info from this show is unkown but safely assumed. It was found in a recording
 studio in Charlottesville Va by a college student recording with her college a capella group.
 She asked the studio guy if she could have it and he said yes. The Original was in the form of
 2 discs and were labeled with the date 11.27.1991 and they said they were recorded at Trax. 
 The current disc 1 was also labeled disc two and visa versa however it is obvious that they were 
 accidently switched or mislabeled. She gave the CDs to Marcus Graham who is responsible for helping
 us get this excellent show out.

Intro
Don't Drink the Water
Dreamgirl
American Baby
Anyone Seen the Bridge
Too Much

Disc 1

01 Intro 01:43.33
02 (Proudest Monkey) 00:28.46
03 Satellite * 06:03.04
04 JTR * 07:43.09
05 Pig * 07:52.35
06 Where Are You Going 04:27.43
07 Hunger For The Great Light * 04:35.28
08 Everyday * 09:01.36
09 Bartender * 21:02.13

Disc 2

01 Grey Street * 06:16.16
02 Grace Is Gone 15:10.52
03 Kill The King * 05:28.24
04 Raven * 07:08.06
05 Tripping Billies * 07:45.09
06 The Idea Of You * 05:17.34

Disc 3

01 Crash 06:54.40
02 Louisiana Bayou * 08:26.00
03 Encore Break 08:02.44
04 Sister + 05:19.55
05 Dreaming Tree * 13:50.29
06 Ants Marching * 07:35.01

Notes:
* Rashawn Ross on Trumpet
+ Dave Solo

Taper: Crumbo
Location: Lower Pavillion Left, Row E, Seats 11 & 12
Source: AKG 480/ck63 (DIN, ~13') > V3 (analog out) > SD 722
Conversion: SD 722 > CDWav 1.94.4 > Wavelab 5.01b (resample, dither w/MegaBitMax) > xACT 0.5.7 (Level 6) > foobar2000 

Intro/Fiddle Medley
Introductions
Sharon
Roll On John
Fiddle Jam
Jugband Blues
Instrumental
Long Afternoons
Mr. Bojangles

Six Days on the Road
Louise
Wheelhoss
Tennessee Waltz
Mississippi Blues
Pink Snake Blues
Statesboro Blues
Introductions
A Little Tenderness
Mr. Blue
Diamond Lil
When First Unto this Country

Intro/Da Doo Ron Ron
Stealin' 
Key to the Highway
Viper
Motorin'
I Like It Like That
One Good Man
Fiddle Medley
I'll Keep Movin' On
Rock and Roll Millionaire
As the Years Go Passing Passing By
Send Me to the 'Lectric Chair
Danger Man
Yankee's Revenge Medley
Helpless Blues
Hit the Road Jack

Dennis McNamara announces that this is the last WLIR live broadcast of David Bromberg.  In fact, Bromberg was broadcast a few days later, August 23, 1980, at the Belmont Party In the Park (to be released separately).  

David Bromberg - Guitar
Jeff Wisor - Fiddle
Andy Stein - Fiddle
Rachel Gladstone - Vocals
Paula Lockhart - Vocals
John Firmin - Saxaphone
Peter Ecklund - Trumpet, Coronet
Curt Linberg - Trombone
Lance Dickerson - Drums
Danny Count - Bass

Get Up and Go
Fiddle Tune
Demon in Disguise
Framed
First I Look at the Purse
Dying Crapshooter's Blues
Hey Hey Mama
Long Tall Mama
I'm a Fool for You
Sharon
Will Not Be Your Fool
It's Over
Statesboro Blues

1.1 Until We Sleep 7:03
1.2 All Lovers Are Deranged 6:28
1.3 Love On The Air 6:11
1.4 Mihalis 10:19
1.5 Cruise 8:34
1.6 Short And Sweet 8:00
1.7 Money 12:07

2.1 Out Of The Blue 4:05
2.2 Let's Get Metaphysical 6:32
2.3 You Know I'm Right 8:27
2.4 Run Like Hell 7:24
2.5 Blue Light 9:32
2.6 Band Introductions 2:27
2.7 Murder 9:49
2.8 Comfortably Numb 10:20

David Gilmour - Lead Guitars and Vocals
Mick Ralphs - Guitars and Backing Vocals
Mickey Feat - Bass Guitars and Backing Vocals
Gregg Dechart - Keyboards and Backing Vocals
Raff Ravenscroft - Saxophones
Jodi Linscott - Percussion
Chris Slade - Drums

PRRP029

David Gilmour began the About Face tour with a brief appearance on British Television on March 30th, 1984, playing just two songs from his new 
album. This was followed the next day by the first full concert in Dublin, Ireland, at the National Stadium. Gilmour’s set consisted of a collection of the best songs from his two solo albums and, inevitably, a few Pink Floyd songs as well. The European leg of the tour consisted of 23 performances including 4 nights at the Hammersmith Odeon in London during which a concert video was recorded featuring a surprise guest appearance by Pink Floyd drummer Nick Mason. The group then went to North America where 48 more shows were played. Beginning in Quebec on May 9th, this part of the tour took the troop across the United States to California, back East to Florida and ended with a final performance on July 16th in New York City.

The show we bring you here was recorded in San Diego on June 20th, 1984, their first day in California. With an open air venue the sound will be a 
bit different than most audience recordings presented by PRRP. However, we feel that this performance shows David Gilmour and his solo band to be polished, versatile and a musical force in its own right; no small feat given the reputation of a band like Pink Floyd. The taper of this show remembers it well and provided us with the following details of that performance, “As for the mix, the way I taped that show was with a stereo Sony that had built in microphones. I used to hang it around my neck and let it hang around my chest area to get good lines with the speaker. If security would arrive, I would slightly lean one way or the other to keep the recorder out of view. You can hear the sound shift when I did that, but it is only brief and occasional. Since I was in the second row, I most likely got a bad mix anyway, monitors mostly, the PA system was too far on the sides to get the full blast of the mix. I remember that I had a great time. The show was phenomenal. Jody Linscott was just starting to show her pregnancy and Mick Ralphs just tore up his solos. My buddy went up and placed a one dollar bill on the stage right in front of David Gilmour as he was wailing away on (the song) Money, he broke his concentration briefly, looking up at our group and smiling with the head nod, it was a hi-five all around. To stand in front of Gilmour, 3 feet away, and watch this guy for two hours was a dream come true”.

There were those who were concerned that the departure of Roger Waters from Pink Floyd would leave that band without a stable musical driving
 force. With this year of solo work, David Gilmour answered those concerns and showed that even without Waters, Pink Floyd was still well endowed with musical talent and that they could carry on despite the loss of one of their most noted members. 

Notes from the Re-master

This show comes to us as a master cassette tape. It was digitized using 32-bit format and 24-bit resolution. Analysis revealed music signal up to 
11,000Hz. The complete show is here so no patches were necessary but the tape flips and change from tape 1 to tape 2 needed to be mixed. The taper provided us with the details regarding his location in the audience as noted above. Hiss was a moderate problem that was reduced using selective techniques. Crackle was also present throughout the show and needed separate techniques to be reduced. Given the frequency response of the recorder, the midrange was too harsh so filters were applied to reduce this excess. An imbalance between the two channels was present and a 12% correction was necessary. The mix does change through the show. During the first few songs the sound, and in particular the vocals are a bit distant even though we know the taper was in the second row. This improves by the time Cruise is played. Applause was attenuated where necessary and other noises such as feedback, clicks and pops were removed. The show was then tracked, converted to 16-bit and placed in audio format. 

-PRRP Staff

Castellorizon
This Heaven
Smile
Red Sky at Night
Take a Breath
Then I Close My Eyes
On an Island
The Blue
A Pocketful of Stones
Where We Start

Shine On You Crazy Diamond
Wearing the Inside Out
Dominoes
Fat Old Sun
Breathe
Time/Breathe reprise
High Hopes
Echoes

Wish You Were Here
Find the Cost of Freedom
Comfortably Numb

HiThere

Florida Vacation
Murdering Oscar
Whiskey And You
Rob Me Blind
The Range War
I'll Play Angel
Back In The Woods
Uncle Disney
[unknown]
Long Black Veil
Heavy And Hanging
Gastonia
The 4:05
Grandaddy
Soothe Me
Black Creek Water
Nine Bullets
Why Do Lonely Men And Women Want To Break Each Other's Hearts?
Uncle Raymond
Back Of A Bible
Cocaine Parties
Moonshiner
[unknown]
Goddamn Lonely Love
Only Daddy That'll Walk The Line
[unknown]
I'm In Love With A Girl
Strange Faith
My Sweet Annette
Both Our Towns
Tornadoes
Werewolf Moon
Heathens
TVA
Goat
Puttin' People On The Moon
White Lies, Blue Tears
Bulldozers And Dirt

Tsunami Relief Benefit
Don Chambers - banjo, guitar, vocals
Patterson Hood - guitar, vocals
Dave Marr - guitar, vocals
John Neff - pedal steel guitar, vocals
Brad "The EZB" Morgan - snare drum

with

Philip McArdle - guitar
Jason Isbell - guitar, vocals
Mike Dillon - vocals
Shonna Tucker - guitar, vocals

Movin' On
Living In Babylon
Positive Friction
Tides Of Time
Push Comes To Shove
Rock Of Ages
Pretty Boy Floyd
Don't Leave Me Behind->
Family Picture
Big Parade
The Mill
This Goes
Blue Skies
40 Days & 40 Nights
No Place Like The Right Time
Me & Depression
Two More Bottles Of Wine
Life's A Ride
Conscious Evolution
Encore:
Like The Coming Sun
Part Time Lover

01) Zip City
02) Lookout Mountain
03) Decoration Day
04) Winter Wonderland
05) Love Like This
06) Too Much Sex, Too Little Jesus
07) Outfit
08) Where The Devil Don't Stay

01) Murdering Oscar
02) When The Pin Hits The Shell
03) Do It Yourself
04) Danko/Manuel
05) George Jones Talkin' Cellphone Blues
06) Uncle Frank
07) Goddamned Lonely Love
08) The Company I Keep
09) Little Pony And The Great Big Horse
10) Never Gonna Change
11) The Day John Henry Died
12) Tales Facing Up
13) Bulldozers And Dirt

Private show for DBT family and friends (acoustic)
Taped and transferred by Chris Pennington

Where the Devil Don't Stay, Sinkhole, Decoration Day, Give Pretty Soon, Careless, Sounds Better in the Song, Daddy's Cup, Lookout Mountain, Lonely Love, Day John Henry Died, Sweet Annette, Demonic Possession
Set 2 

Marry Me, Carl Perkins Cadillac, Dead Drunk and Naked, Guitar Man Upstairs, Never Gonna Change, Boys from Alabama, Cotton Seed, Outfit, Women w/o Whiskey, Let there Be Rock
Set 3 

Encore: Wrong for all these Years, Zip City, Play it All Night Long, Plastic Flowers, Buttholeville, Sandwiches for the Road, Putting People on the Moon
Comment 

SBD + AKG c2000 > MP2 > DA-P1 (Roy Shuler) 

Disc One:
Cottonseed
Buford Stick
Never Gonna Change
The Tough Sell
Sounds Better In The Song
Sink Hole
Decoration Day
Goddamn Lonely Love
Tornados
Heathens
Marry Me
Carl Perkin's Cadillac
Sands Of Iwo Jima

Puttin' People On The Moon
Daddy's Cup
Company I Keep
The Day John Henry Died
Living Bubba
Lookout Mountain
Crowd
Encore:
Grandaddy (New Song, Patterson alone)
(full band back onstage) Play It All Night Long
The Outfit
Zip City
Let There Be Rock

Help I'm a Rock
Hungry Freaks Daddy
Let' Make the Water Turn Black
Florentine Pogen
Pygmy Twylite
The Idiot Bastard Son
Cheepnis
King Kong Variations
Don't Eate that Yellow Snow
St. Alphonzo's Pancake Breakfast
Father O'Blivion
Inca Roads
The Black Page

Peaches en Regalia
Montana
Village of the Sun
Echinda's Arf
Zomby Woof
Sofa No. 2
Camarillo Brillo
The Orange County Lumber Truck
More Trouble Every Day
A Token of His Extreme
Cosmic Debris

possibly the best-sounding audience recording i've ever heard. beats a lot of broadcast and soundboard sources. incredible.

67 degrees
Brittany
Suffocating the Bloom
As the World
The Cheese Stands Alone
Sweet Thing
Never the Same
Carpe Diem
Mei

no setlist

01 - Poker
02 - Nightrider
03 - Showdown
04 - Can't Get it Out of My Head
05 - Poorboy (The Greenwood)
06 - Illusions in G Major
07 - Strange Magic
08 - 10538 Overture
09 - Do Ya
10 - Evil Woman
11 - Ma Ma Ma Belle
12 - Roll Over Beethoven

Goon Squad
Opportunity
Oliver's Army
Busy Bodies
Two Little Hitlers
I Don't Want to Go to Chelsea
Green Shirt
Moods for Moderns
No Dancing
Sad About Girls
Big Tears
Motel Matches
Accidents Will Happen
Big Boys
Party Girl
Lipstick Vogue
Watching the Detectives
Pump It Up
(What's So Funny 'Bout) Peace, Love & Understanding
Radio Radio

Opening
Tarkus
Knife Edge
Paper Blood
Black Moon
Piano solo
Creole Dance
From the Beginning
C'est la Vie
Lucky Man
Honky Tonk Train Blues

Touch and Go
Pirates
Hoedown
Jam
Pictures at an Exhibition
Fanfare for the Common Man/America/Rondo

Disc 1

01 Introductory Fanfare
02 Hoedown
03 Tarkus
04 Take a Pebble
05 Piano Concerto No. 1: 1st Movement
06 Maple Leaf Rag
07 Take a Pebble
08 C'est La Vie
09 Lucky Man
10 Pictures at an Exhibition

Disc 2

01 Tiger in a Spotlight
02 Watching Over You
03 Tank
04 Drum Solo
05 The Enemy God
06 Nutrocker
07 Pirates
08 Fanfare for the Common Man 

best. ELP. show.

ever.

With Spyboy

Source : AKG mics > Sony DAT recorder D-8 > Pioneer CD recorder > EAC > Wav > Mkw ACT > SHN

Disc 01   -   55.24 minutes

01. Where will i be
02. Orphan girl
03. Wrecking ball
04. Pancho & Lefty
05. Ain't living long like this
06. Get up John
07. Love hurts
08. Goodbye
09. Green pastures
10. Goin' back to Harlan
11. Deeper well

Disc 02    -    48.41minutes 

01. Prayer in open D
02. Abraham , Martin & John
03. Sweet old world
04. Every grain of sand
05. Wheels
06. Born to run
07. The maker
08. Boulder to Birmingham
09. Indian red

 The Rube Thing
Good Morning Susie Soho
The Chapel
The Wraith

From Gagarin's Point of View
Dating
Bowling
Dodge the Dodo
Hands Off

The Message
When God Created the Coffeebreak
Serenade for the Renegade
Strange Place for Snow
Years of Yearning
Behind the Yashmak
Dodge the Dodo

Seven Days Of Falling
Eighty-Eight Days In My Veins
Mingle In The Mincing-Machine
Band Introduction
In The Tail Of Her Eyes
The Unstable Table And The Infamous Fable
Viaticum
When God Created The Coffeebreak
Behind The Yashmak
Believe Beleft Below
A Picture Of Doris Travelling With Boris
Spunky Sprawl

Intro
First Breath After Coma
Greet Death
Six Days at the Bottom of the Ocean
Have You Passed Through This Night?
Memorial

Introduction
Teenage Wind
Harder Than Your Husband
Bamboozled By Love
Pick Me I'm Clean
Society Pages
I'm a Beautiful Guy
Beauty Knows No Pain
Charlie's Enormous Mouth
Any Downers?
Conehead
Easy Meat
Mudd Club
The Meek Shall Inherit Nothing
Heavenly Bank Account
Suicide Chump
Jumbo Go Away
If Only She Woulda

Pug
Gypsy Hymn
Fire Lotus
Transit
Cease Fire
P-B-n-J
Dragonfly
Suckapunch

Pair of cm50 cardoid condenser mics -> korg d1600 recorder

Lineage: dpa 4060 {HEB} > mod sbm-1 > jb3
sound forge 8 > flac

Gary Burton - Vibes
Pat Metheny - Guitars
Steve Swallow - Bass
Antonio Sanchez - Drums

01. Sea Journey - Chick Corea
02. B and G - Pat Metheny
03. Blue Comedy - Michael Gibbs
04. Fortune Smiles - Keith Jarrett
05. I'm Your Pal - Steve Swallow
06. Las Vegas Tango - Gil Evans
07. Hello Bolinas - Steve Swallow
08. Como En Vietnam - Steve Swallow
09. Unquity Road - Pat Metheny

Genesis live, Brussels TV Studios - 20th March 1972. 

Tracks:

1. Fountain of Salmacis
2. Twilight Alehouse
3. The Musical Box
4. Return of the Giant Hogweed 
   (amusingly captioned as 'Return of the Geant Hogweed'!

Taken from a master PAL VHS recording off UK ITV broadcast, 
circa late 80s/early 90s.


Bonus footage (Black and White with timecode):

Piper Club, Rome - 18th April 1972: 
Interview (starts silent) / Stagnation (small clip)

Palasport, Torino - 3rd February 1974: 
"Shoes" Interview / Various live clips

Italian newsreel footage taken from master pre-broadcast VHS tapes.

It's "The Lamb" live, plus The Musical Box. There are no less than 7 known recordings of this show. I'm thinking this is SAB 06.

The Lamb Lies Down On Broadway
Fly On a Windshield
Broadway Melody of 1974
Cuckoo Cocoon
In the Cage
The Grand Parade of Lifeless Packaging
The Story of Rael Part 1
Back in N.Y.C.
Hairless Heart
Counting Out Time
The Carpet Crawlers
The Chamber of 32 Doors
The Story of Rael Part 2
Lilywhite Lilith
The Waiting Room

Anyway
The Supernatural Anaesthetist
The Lamia
Silent Sorrow in Empty Boats
The Colony of Slippermen
Ravine
The Light Dies Down on Broadway
Riding the Scree
In the Rapids
It
The Musical Box
The Knife

Dance on a Volcano
The Lamb Lies Down on Broadway
Fly on a Windshield
Carpet Crawlers
The Cinema Show
Robbery, Assault & Battery
White Mountain
Firth of Fifth

Steve's intro
Entangled
Squonk
Supper's Ready
I Know What I Like (In Your Wardrobe)
Los Endos
It/Watcher of the Skies

SAB04

Squonk
One for the Vine
Robbery, Assault & Battery
Inside and Out
Firth of Fifth
Carpet Crawlers
In that Quiet Earth
Afterglow
I Know What I Like

Eleventh Earl of Mar
Supper's Ready
Dance on a Volcano
Drum Duet
Los Endos
The Lamb Lies Down on Broadway
The Musical Box

Digitial Brothers matrix

Eleventh Earl of Mar
In the Cage
Burning Rope
Ripples
Deep in the Motherlode
The Fountain of Salmacis
Ballad of Big
One for the Vine

Squonk
Say It's Alright Joe
The Lady Lies
The Cinema Show
Afterglow
Follow You Follow Me
Dance on a Volcano
Los Endos
I Know What I Like (In Your Wardrobe)

Eleventh Earl of Mar
In the Cage
Burning Rope
Dancing with the Moonlit Knight
The Musical Box (closing)
Ripples
Deep in the Motherlode
One for the Vine

Squonk
Say It's Alright, Joe
The Lady Lies
The Cinema Show
In That Quiet Earth
Afterglow
Follow You Follow Me
Dance on a Volcano
Los Endos
I Know What I Like (In Your Wardrobe)

There are at least 10 recordings of this show. I don't know which one this is.

Deep in the Motherlode
Dancing with the Moonlit Knight
Carpet Crawlers
Squonk
One for the Vine
Behind the Lines
Duchess
Guide Vocal
Turn It On Again
Duke's Travels
Duke's End
Say It's Alright Joe

Phil talking
The Lady Lies
Ripples
In the Cage/The Raven
Afterglow
Follow You Follow Me
Dance on a Volcano
Los Endos
I Know What I Like (In Your Wardrobe)

SAB12

Dance on a Volcano
Behind the Lines
Follow You Follow Me
Dodo/Lurker
Abacab
No Reply at All
Paperlate
Supper's Ready

Misunderstanding
Man on the Corner
Whodunnit?
In the Cage/Cinema Show/Slippermen
Afterglow
Turn It On Again
Drum Duet/Los Endos
The Lamb Lies Down on Broadway/Watcher of the Skies
I Know What I Like (In Your Wardrobe)

The copy I acquired had a five second loop in "Cage", and the balance was off. I used Adobe Audition to correct these glitches.

Radio intro
Mama
Abacab
Land of Confusion
Domino
In Too Deep
Follow You Follow Me
That's All

Radio intro
Tonight Tonight Tonight
Throwing It All Away
In the Cage
In That Quiet Earth
Supper's Ready
Invisible Touch
Turn It On Again
Radio outro

BURP022

Land Of Confusion
No Son Of Mine
Driving The Last Spike
Old Medley
Fading Lights
Jesus He Knows Me
Home By The Sea
Second Home By The Sea
Hold On My Heart
Domino / Drum Duet
I Can?t Dance
Tonight, Tonight, Tonight
Invisible Touch
Turn It On Again

No Son Of Mine
The Lamb Lies Down On Broadway
Calling All Stations
The Carpet Crawlers
Domino, Part 1: In The Glow Of The Night>
Domino, Part 2: The Last Domino
Dancing With The Moonlit Knight
Supper's Ready (Lover's Leap)
Not About Us
The Dividing Line
Mama
Turn It On Again
Invisible Touch

 The Lamb Lies Down on Broadway
Fly on a Windshield
Broadway Melody of 1974
Cuckoo Cocoon
In the Cage
The Grand Parade of Lifeless Packaging
Back in N.Y.C.
Hairless Heart
Counting Out Time
Carpet Crawlers
The Chamber of 32 Doors
Lilywhite Lilith
The Waiting Room
Anyway
Here Comes the Supernatural Anaesthetist The Lamia
Silent Sorrow in Empty Boats
The Arrival
The Colony of Slippermen
Ravine
The Light Dies Down on Broadway
Riding the Scree
In the Rapids
It

The Musical Box
Watcher of the Skies

Remastering notes from Andrew Skeoch


The Show

This wonderful stereo recording is one of the best from the audience of any Lamb Lies Down on Broadway show, and documents almost the entire gig.

The concert comes from the first US Lamb tour in 1974, and shows a few teething troubles still cropping up on stage. Tony's keyboards in particular cause problems, and loud crackles from his rig can be heard at various points throughout the set. I'm not sure, but it sounds as though at one point during Back in N.Y.C. Tony's 7/8 synth riff drops out altogether, and Hackett carries it alone with Tony filling chords on electric piano. There are also very prominent hums and buzzes from the PA that would have dismayed the band. 

Nevertheless, they put on a powerful performance, and during most of the concert, the music is as good as it gets. It is interesting to hear Phil's harmony vocals present throughout, its as though he is just singing along with the whole concert. One doesn't usually think of Genesis songs as two part counterpoint, but its there. And Phil experiments continually, for instance the usual descending harmony line in Counting Out Time is absent, with Phil weaving lines around Peter's main melody instead. 

The famous problems with the Slipperman costume and Peter's inability to get the microphone close enough are also present. Whilst Peter is mostly loud and clear during this song, there are times he drops out almost completely, and Phil carries the vocal alone. One can understand why the band were frustrated with this situation occurring consistently, and of course it is one of the reasons Peter re-recorded the vocal for the Lamb discs on the Archive box set. 

The audience make a few notable appearances as well; listen to the exuberant whistles during the interlude prior to The Lamia. It is also amusing with hindsight to hear the audience's amazed reactions to Gabriel's unexpected appearance as the Slipperman. 

The Source

This recording is outstanding, and has long been recognised as such. All the set up conditions for a great audience recording are present; good equipment, no obnoxiously loud audience members nearby, and it sounds as though the show was taped from near enough to the stage that it doesn't sound distant. The levels are good, with little hiss or overload distortion, and notably, there is not a single microphone bump during the whole recording!  All the instruments are clear and there is a great sense of ambience from the hall and audience.

The recording was reputedly originally made on reel-to-reel, although the difficulties of stealth recording with large open reel gear, and that consistent cuts occur at the 45 min flips on different cassette copies of this recording, all point to a common cassette source. Whether that is the master or just a 1st gen duplicating tape is unknown, but going on the audio quality of this recording I think the former is more likely.

The recording documents nearly the entire concert with the exception of two omissions; firstly a small section (possibly only a few seconds) between the audience applause at the end of Carpet Crawlers, and the first chord of Chamber of 32 Doors (which fades in quickly), and secondly the middle minute and a half of Ravine. These missing sequences are almost certainly absent from the master recording. While they both occur at end of cassette tape sides, I think it is unlikely that they would originate in a cassette copy somewhere along the line.

This recording is mainly known from the 'Rael Imperial Aerosol Kid' bootleg, although because of its good sound quality, bits of it appear on other releases, notably the Waiting Room/Anyway section which is used on several boots (Lamb Lives, Suppers Ready with a Little Lost Lamb, From One Fan to All Others) to bridge the missing sections of the West Palm Beach and Lakeland soundboard recordings of January 1975. 

The Remaster

This remaster has been initiated from first generation cassettes, generously contributed by a Hogweed member who knew the taper of this show in the 70s. The 2 tapes were TDK and Maxell 90s, with the show on 3 sides. While the cuts on these tapes are similar to those found on the Rael Imperial boot (indicating these cuts are on the master tape), there is a short section of crowd noise at the beginning (where Peter goes "Shhhhh"), which is on the boot but not this tape. Hence these tapes are definitely not the source for the boot. Also, the Rael Imperial boot inexplicably omits one of the best parts of the recording - the second encore of Watcher of the Skies, which is present on these tapes (hooray!), and (as far as I know) makes its public debut on this remaster.

The main difference in sound quality between the Rael Imperial boot and these raw tapes is in the midrange. Rael Imperial has a hard and brittle edge resulting from overload distortion of some kind. These tapes are bright but undistorted and smooth. Rael Imperial also has a treble cut above about 8KHz, possibly to minimise hiss, and of course the top end has gone with it. Lastly it is also weak in the bass as the original recording seems to be, there having been no attempt to balance this up. So, plenty of room for improvement....

I have as usual begun with a new transcription of the source tapes, checking pitch, which rises slightly with each tape and has been corrected. I have also passed the analogue audio through an exciter to add harmonics to both the bass and treble, so extending the frequency range.

Next I have denoised the recording *slightly* - by slightly I mean 4Db down to 4KHz, with a top end (above 7KHz) boost of 3 Db. This is really quite minimal, but enough to sharpen the tops and minimise what was a fairly minimal amount of cassette tape hiss anyway. 

The stereo on this recording is a little off-centre, as though the microphone was not pointed directly at the PA. I know what this is like from my own experience, there is a great temptation to point the mic at the stage, but a central stereo image is best obtained by pointing it at the PA itself. Whether that has happened here I don't know, it could be a tape head alignment issue in copying that has caused the imbalance. What can be heard is that the frequency response is slightly different between channels, and that there seems to be more of a hall ambience echo in one channel (left on this remaster). 

In balancing the equalisation, I have tried to correct this stereo imbalance, but it still didn't create anywhere near to a central stereo image. After a little playing around I found that the phasing of the two channels was the main cause of the problem. This would be consistent with either mic/venue or head alignment explanations. Anyway, after a little jiggling of the timing of left channel against right, the stereo image comes close to the centre, and the eq balance fine-tunes things along a bit more. So while the stereo is not perfectly balanced, it really sounds as though you are there in the auditorium, and that is what we want to hear. 

I have balanced the equalisation as best I can. The microphone used for this recording has a presence band peak around 4KHz, giving a bright sound, but was a little deficient in the bass. So I have pushed the bass a little, softened the low mids, and left the top end pretty much as it came out after the analogue exciting and denoise boost. It sounds at times as though the top end is quite bright, but I have played around with it, and found that attenuating anything just led to either a thin or dull sound. I think a part of it is that the cymbals, particularly Phil's rides, are quite loud in the mix. At least they dominate the music well down into the midrange, so it's not a case of just equalising them back a bit. What you hear probably represents the way it sounded in the hall. 

After the bass was enhanced, some low frequency (around 60Hz) hums became noticeable. Where the music has been quiet enough that they are audible, I have removed them, and in the process cleaned up any 'rumble' on the floor of the recording. 

Lastly I have edited in sections from other concerts to fill the missing gaps in this one. The first few chords of Chamber of 32 Doors come from the West Palm Beach 75 soundboard, which I chose because it matched the sound quality well, and as it was a short fill that would have sounded much the same each night, I felt that WPB was a suitable source. Ravine comes from the stereo audience recording of the 12th December 74 show from Waterbury, CT. This is also a good recording, and although the source I had access to is probably not the best available, it seems to balance in well. It is interesting to note the lack of buzzes from the PA on this Waterbury concert. Lastly a short section of the intro crowd noises (Peter's "Shhhhh", less than 10secs or so) from the 'Rael Imperial' boot was used to fill the missing splice in the source tape I used. 

The final process was to balance volumes between the 3 parts of the show, and maximise the levels. There is no reverb on this remaster.

Turn it up loud!

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Rambler
Ginger Blues
I Lu Kron
Ramblin'
Spiritual
Ain Temouchant
When We Go
Straight, No Chaser 

Disc 1
SET1
1 Help On The Way >
2 Slipknot! >
3 Franklin's Tower
4 Little Red Rooster
5 Loser
6 Just Like Tom Thumb's Blues
7 Let It Grow

Disc 2
SET2
1 Scarlet Begonias >
2 Fire On The Mountain >
3 Truckin' >
4 Spoonful >
5 Dark Star >
6 Jam >
7 Drums >

Disc 3
SET2 (cont.)
1 Space >
2 Dark Star >
3 The Last Time
4 Standing On The Moon >
5 Throwing Stones >
6 Not Fade Away
7 ENCORE Werewolves Of London

welcome to the BTSWiki. You can browse by recording source or music genre (sorry) by using the menu at the left. You can also hunt for stuff (like names) using the search box at the right.

Drop me a line if you see something you'd like.

In A Stone Circle
In Sight Of The Minaret
In A Black Box
In The Grip Of Stronger Stuff
In Maternal Grace
In The Moneylender's Temple
In Defence Of Faiths
At Their Father's Knee
En Afrique
In The Olive Garden
In The Pay Of Spain
Bombay Valentine
Heavy Horses
Life's A Long Song
Sossity You're A Woman, Reasons For Waiting (medley)
Wond'ring Aloud
Cheap Day Return, Nursie (medley)
Dun Ringill
She Moved Through The Fair, Dust Devils (medley)
Jack-In-The-Green
Bourée
Aqualung
Locomotive Breath

 	

Source:AUD>D>C>CDR>EAC>CDWav>FLAC
Transfer:Unknown Handheld Mics>Panasonic DAT>Sony ES Cass. deck>Tascam CDRW4U>EAC(secure mode)>CDWav>FLAC(level 7 w/SB aligned)

Circular
One Finger Snap
Spanish Ballad
Spanish Souza
Django
Hand By Hand

JDJ - drums
Jerome Harris - guitar
Danilo Perez - piano
John Patitucci - bass

Song of Space/Afric Pepperbird/Fountain of Tears
VIPS/Rainbow/At Det Var

Jan Garbarek - sax, flute
Terje Rypdal - guitars
Arild Andersen - bass
Jon Christensen - drums

six untitled pieces

with David Torn, Eberhard Weber, M. DiPasqua

Pre-FM Master>CDR>EAC>FLAC6(w/sector align)sbeok

Disc 1 
1] Spanish samba
2] Timeless
3] Viddene
4] Nimbus
5] Krusning

Disc 2 
1] Waterwheel
2] Backward Glance> Entering> Telegram

Five unidentified songs

Nimbus
Nozanina
Dromedary
Dark Eyes
Powderfinger
Sabre Dance

Templars
Mariachi Song
Jughead
The Phoenicians
Milestones
Powderfinger

Contois
Straight Life
Xenoblast
New Song
Going to California/What Is and What Should Never Be
Oh Yeah

Early Show

Intro
The Sun Will Come Out Tomorrow
Flux
Borkum Riff
Spicy Bombs
Cicada 17
Going To California >
What Is And What Should Never Be
Oh Yeah!

Source: FOB Neumann ak40 (DIN, 8', DFC) > lc3 > km100 (no XLR cable) > 
Sound Devices MP-2 > Oade Line Stage Mod SBM-1 > Sony TCD-D7 (@44.1)

Transfer: Sony TCD-D7 > 7-pin optical > Creative Nomad Jukebox 3 > FireWire > CDWav > FLAC

--No DAE--

Taped, transferred, and seeded by Paul Hofferkamp (gruven42ATyahooDOTcom)

Jamie Masefield - mandolins, Sean Dixon - drums, Scott Ritchie - upright bass, Maddog - trumpet and keys

Battle Hymn
Flux
Hamhoc
Straight Life
Going to California/What Is and What Should Never Be

Borkum Riff
Spiders
Powderfinger
Dickyville Grotto
Cicada 17
Sir Duke

My Sunday Feeling
My God
To Cry You a Song
With You There to Help Me/By Kind Permission Of . . .
Sossity; You're a Woman Now/Reasons for Waiting
Nothing Is Easy
Dharma for One
We Used to Know/For a Thousand Mothers

1-1. Under Wraps (Intro) 2:18
1-2. Locomotive Breath (Inst. Intro) 1:43
1-3. Hunting Girl 5:48
1-4. Under Wraps 4:55
1-5. Later That Same Evening 4:48
1-6. Nobody's Car 4:23
1-7. Fly By Night 4:13
1-8. Thick As A Brick (Medley) 8:37
1-9. Skating Away On The Thin Ice Of A New Day 2:06
1-10. Clasp 4:09
1-11. Living In The Past (W/Instrumental Variation) 3:35
1-12. Serenade To A Cuckoo 4:54
2-1. Band Introductions 2:13
2-2. Fat Man (W/Extended Instrumental) 6:35
2-3. Instrumental With Drum Solo 9:12
2-4. Black Sunday 6:42 
2-5. Songs From The Wood 1:57
2-6. Minstrel In The Gallery 1:48
2-7. My Sunday Feeling 2:59
2-8. Aqualung 7:32
2-9. Locomotive Breath 8:23
2-10. To Old To Rock And Roll : To Young To Die 5:38
2-11. Thick As A Brick (Reprise) 3:22

Intro
Songs from the Wood
Thick as a Brick/Steel Monkey
Farm on the Freeway/Heavy Horses
Living in the Past/Serenade to a Cuckoo
Budapest
Hunting Girl

The Waking Edge/Wond'ring Aloud
Skating Away
Jump Start
Too Old to Rock and Roll, Too Young to Die
Aqualung
Locomotive Breath/Thick as a Brick (reprise)
radio announcement
The Wind Up/Bach Violin Concerto in E, 3rd mvt.

Set I
Disc 1
1.Alabama Chrome
2.The Wound That Never Heals
3.Handcuffed To A Fence In Mississippi
4.King Of The Road
5.Heaven Of My Heart
6.I'll Never Know
7.God Was Drunk When He Made Me
8.Hey, You Going My Way?
Set II
1.a discussion of poptomism
2.Take Me Away
3.A Perfect Day To Chase Tornados
4.The Girl From Brownsville, TX
5.You Can't Get To Heaven On Borrowed Wings
6.Objects In Motion
7.Bound To Forget
8.A Land Called Home

Alabama Chrome
The Wound that Never Heals
Handcuffed to a Fence in Mississippi
King of the Road
Heaven of My Heart
I'll Never Know
God Was Drunk When He Made Me
Hey, You Going My Way?

Take Me Away
A Perfect Day to Chase Tornadoes
The Girl from Brownsville, TX
You Can't Get to Heaven on Borrowed Wings
Objects in Motion
Bound to Forget
A Land Called Home

1 Killing Floor
2 Tax Free
3 Fire
4 Red House
5 Foxy Lady
6 Hey Joe
7 Spanish Castle Magic
8 Purple Haze
9 Wild Thing# (cut off)

This show is widely available on bootleg, but this is sourced from a superior trader's CD, made from the master tape at the correct speed and including the in-between-song chatter which most bootleg releases omit.

From Chris Dixon's 30th Anniversary Series

March 19, 1998 marks 30 years since the Ottawa Capitol Theatre show.

Not only is this a good show, but one of the few soundboard tapes from this tour. Apparently taped by Jimi himself, it sounds excellent. It's the first complete North American show on soundboard since Monterey, I believe, at least until this rumored Feb. Winterland tape appears (except for 3 songs from Worcester, Mass, March 15, 1968). There isn't another soundboard until Miami (and it's only 4 songs), except of course for the infamous Scene Club and Cafe Au Go Go (March 17, 1968) jams. After that, Woburn (insert Twilight Zone theme...). Couple of highpoints of Ottawa:

Tax Free growing longer each time out- now around 10 minutes (almost half again as long as DC Hilton a week before)...

Red House much longer now (almost 10 min). Jazzier middle section now developing, and I believe it's the first outing for the interlude where Jimi 'slaps'(a drumstick?) the chords rather than strums them. The recording quality really shines on the guitar sound on this one - it's like sitting in front of the Marshalls and you can hear every detail and nuance of his blues technique and clean tones...

Spanish Castle Magic, on the other hand, has yet to become the jamming vehicle it would be in the 69 shows. Less than 4 minutes, this is only the 5th documented performance of SCM. Jimi's voice sounds great on this - maybe he can hear himself for once because he doesn't seem to be straining and the crisp recording reveals all kinds of little inflections and joking asides that would be lost in most audience tapes...

Purple Haze stretched to almost 7 minutes with free form guit ar intro and extended outro...

This show's a must have and is available on a number of boots (Gone But Not Forgotten, Canadian Club, Thanks Ottawa For The Memories., Superconcert 68, others) and of
course on tape!

Sources (direct from original Taper "Bob In Ohio"): 
AUD: CSB's to Sony DAT -> 2xCDR
SBD: SBD to 25db attenuators to Sony DAT -> 2xCDR

Lineage: 4xCDR -> EAC -> Wavelab(EQ) -> Audition Multitrack -> Wavelab(edit & track split) -> Nero6 -> 2xCDR -> EAC -> Flac frontend (level 8) -> Flac -> Dime

Recorded & Transferred by: "Bob in Ohio"
Matrix Mixing & remaster by: Cuztard Pi

Set-list:

CD 1 (67mins)

01 If 6 Was 9
02 Spanish Castle Magic
03 You Upset Me Baby
04 JB Solo
05 Blues Deluxe
06 Takin' The Hit
07 Mountain Time
08 Wild About You Baby
09 Burning Hell
10 If Heartaches Were Nickels

CD 2 (36mins)

01 Pain And Sorrow
encore
02 Had To Cry Today
03 Heart Of The Sunrise (edit)
04 Starship Trooper (The Wurm)

Bob & Ray
Like She Was a Hammer
Trampoline
Skin and Teeth
Monkey
Want Too Much
Flower Girl
Medicine
Great Lake
Fuse
Fat
Curt Flood
Ohio Air Show Plane Crash

Trade History:
vinelist: offered 2007-08-04

Monkey
joe talking
Trampoline
This Afternoon
Stop
false start
Tiny Voices
Fuse
Leaning
Meanest Flower
Sold
joe talking
Dirty Magazine
Edgar Bergen
joe talking
Flag
Scar

mean old world
walkin' blues
early in the morning
deeper shade of blue
key to the highway
long distance call
i feel like my time ain't long
worried about my baby
come on in my kitchen
hitchhikin' woman - take 1
hitchhikin' woman - take 2
shake em on down
talk to my baby
goin to louisiana (mojo hand)
boom boom boom
 
Comment
John campbell, solo studio recording.Little is known regarding where or even when it was recorded.
John shared a copy with friends in the early 1980's.It sounds eerily similar to the songs he recorded on the tyler sessions. So, it may have been recorded at or around the same time period.
John recorded this version directly from the master tapes to cassette.
He told friends that he was not pleased with the results and never wanted it released. Luckily, this cassette was saved because John couldn't have been more wrong about its quality.
This is great music and great Blues. John was truly a master and on this CD he demonstrates a softer side of his musical side.

Elektra records made an inhouse vhs tape of fairly low quality video, and average to decent quality sound.
The purpose of the video is unsure, BUT a copy was given to a Campbell Family member after Johns Death.
The Video was then put onto a dvd and copied to cdr from there.
Elektra tribute video (unknown generation) > vhs copy >dvd >cd wav>dbpoweramp>flac

The Tracks:

mississippi delta blues benefit
under acme
NYC
march 25 1988
(solo)

1.  bluebird blues 		04.46
2.  going to dallas 		03.42
3.  white lightnin		04.06
4.  sunnyland train		02.40

Montreaux jazz festival
Geneva Switzerland
July 9 1992
(with band)

5.  devil in my closet 		08.20
6.  voodoo edge 		04.55
7.  take me down 		08.32

The shocking club	
milan, italy 
31 march 1993 
(with band)

8.  ain't afraid of midnight 	06.48 
(skips a little partway through, present on source dvd (worse on the dvd, slightly improved for this cd))

9.  person to person 		09.30
10. interview...		01.59
11. saddle up my pony 		07.20
12. interview... 		01.41
13. down in the hole		05.44
14. when the levee breaks	07.02

Set I
Spanish Pipedream
Often Is A Word I Seldom Use
Angel From Montgomery
Fish And Whistle
Crooked Piece Of Time
Blue Umbrella
Illegal Smile
Sabu Visits The Twin Cities Alone
The Bottomless Lake
Sam Stone
That's The Way The World Goes Round
There She Goes
I Had A Dream
Chinatown
If You Don't Want My Love
Find Another Man
Band Intro/pretty Good
Bruised Orange
Set II
Hello In There
Grandpa Was A Carpenter
Ballad Of A Teenage Queen
Paradise
Please Don't Bury Me
Sleepy-eyed Boy
Treat Me Nice
Onomatopoeia
Sailin' Around
Mexican Home
How Lucky
I'm Not That Good At Goodbye
Saddle In The Rain

Intro
Grandpa Was a Carpenter
Donald and Lydia
Aw Heck
Fish and Whistle
The Oldest Baby in the World
Spanish Pipedream
Illegal Smile
Souvenirs
Bottomless Lake
Dear Abby
Sam Stone
That's the Way the World Goes 'Round
Hello in There
Please Don't Bury Me
Paradise

Intro
Spanish Pipedream
Your Flag Decal Won't Get You into Heaven Anymore
Six O'Clock News
Army Fight Story
Souvenirs
Army Inspection Story
Fish and Whistle
Grandpa Story
Grandpa Was a Carpenter
I'm Just Getting By
All the Best
Angel from Montgomery
Jesus: The Missing Years
Long Monday
Donald and Lydia
Dear Abby
That's the Way the World Goes 'Round/Happy Enchilada

Sam Stone
Bear Creek
That's Alright By Me
Ain't Hurtin' Nobody
Band Intro
The Sins of Mephisto
Hello in There
Lake Marie
applause
Sweet Revenge
Some Humans Ain't Human
Paradise

Disc 1
1. Spanish Pipedream
2. Your Flag Decal Won't Get You Into Heaven Anymore
3. Six O' Clock News
4. Souvenirs
5. Fish And Whistle
6. Glory Of True Love
7. Taking A Walk
8. All The Best
9. Angel From Montgomery
10. Bear Creek Blues

Disc 2
1. She Is My Everything
2. Ain't Hurtin' Nobody
3. Some Humans Ain't Human
4. Lake Marie
5. Paradise

Source: Neumann u89i>Lunatec V3>Tascam DAP1

Transfer: Sony D8>Audiophile 24/96>Wave Lab>CD Wav>Soundforge 7.0>FLAC Frontend 1.7.1
Notes:
Mics hypercardioid/ORTF
Fades at beginning and end of set applied by Soundforge 7.0
Taped by Igor Stravinsky
Transferred by Trey Woodruff
Tracked/Seeded by Nick Graham

Sumu
Absinthe
Optikus
Sineen
Improvisation #1
Keko
Encore (Improvisation #2)

Kimmo POHJONEN, accordion, voice
Samuli KOSMINEN, accordion samples, voice samples
Trey GUNN, Warr guitar
Pat MASTELOTTO, rhythmic devices

with:
Heikki ISO-AHOLA, surround sound design

KTU

Kimmo Pohjonen and Samuli Kosminen (Kluster) and Pat Mastelotto and Trey Gunn (from King Crimson and duo TU) join forces for the double duo formation KTU (pronounced K2).
Percussionist Pat Mastelotto and guitarist Trey Gunn have enjoyed successful careers with the band King Crimson, one of the worlds most dynamic, skillful and innovative bands. Their new duo known as TU explores and highlights the well-known Gunn and Mastelotto edge, energy, humour, imagination, phenomenal playing skills and dynamism in an improvisational setting. The first TU album was released in early 2004 followed by April appearances in Moscow.
Seeds for KTU took root at SXSW in Austin Texas in March 1999 when Kimmo Pohjonen shared a billing with Mastelotto/Gunn/Fripp's Project Three at the Electric Lounge. Plans for the quartet took shape over the next five years. KTU's aim is to combine the creative energies, edge imagination and other elements of the four players to make something new, different and musically explosive. Material is mainly comprised of compositions by Pohjonen and Kosminen, plus pieces by Gunn and Mastelotto and arrangements and improvisations by all four. Surround sound design and additional effects by Heikki Iso-Ahola.
KTU rehearsals and the World Premiere concert took place in Helsinki at the venue Nosturi in April 2004, followed by four concerts in Tokyo at Eggman. All concerts were recorded on multi-track with intention for future CD release. 

1-1. Intro 3:46
1-2. Carry On Wayward Son 5:22
1-3. Icarus-Borne On Wings Of Steel 5:44
1-4. Down The Road 3:29
1-5. Good Evening Introduction 1:28
1-6. Mysteries And Mayhem/ 4:12
1-7. Lamplight Symphony/ 2:30
1-8. The Wall 4:49
1-9. Introduction 1:38
1-10. Lonely Wind 6:55
1-11. What's On My Mind 3:33
1-12. Miracles Out Of Nowhere 6:44
1-13. Guitar Solo 3:24
1-14. Child Of Innocence 4:30
1-15. Introduction 1:07
1-16. Keyboard Improv/ Drum Solo/Magnum Opus 13:44
2-1. Song For America 9:45
2-2. Violin Solo 4:07
2-3. Cheyenne Anthem (Ending) 3:32
2-4. Belexes 4:45
2-5. Interview with Band Members 7:21
The Opening Act: Ambrosia
2-6. Make Us All Aware 6:30
2-7. Can't Let A Women 6:38
2-8. Holdin' On To Yesterday 6:12
2-9. I Wanna Know 7:45
2-10. World Leave Me Alone 4:33

Source: SBD > Phillips CDR 
Lineage: CDR > EAC(Secure#) > FLAC 1.1.0 > Cd Wave > Cool Edit Pro 2.1 > Flac

Disc 1

Eddie's Dance		
Soul Vibration
Mighty Mouse
Criminal Mastermind
Family Tree **** With Rebirth Brass Band
Groove On

Disc 2

Intro
The Grunt >
Grasshopper
The Bridge
The Big Payback
So Damn Funky
Encore: Flute Intro
Can You Feel It?

Set I
1 - Who Are You? . Soul Driftin'
2 - Mighty Mouse, Criminal Mastermind
3 - The Bridge
4 -The Hen , Apparently Nothing
5 - Ruff Tuff & Tumble > Contusion
6 - All the Brothers & Sisters
Set II
1 - So Damn Funky , Whip Whop
2 - Family Tree
3 - Because of her Beauty,
4 - Freedom,
5 - Los Los
6 - Fallin' > Groove On

Intro
Rich Man's Welfare
Frankenstein
Bougenvillea > NYC
Bag of Funk
Because of Her Beauty
Whip Whop
Good for Me (and You)

Can You Feel It?
Everything
Cool Is Back

Karl Denson sx.
*Sista Teedy vcls.
**Billy Nershi gtr.
Chris Littlefield trmp.
David Vieth keys.
John Staten drms.
Ron Johnson bas.
Brian Jordan gtr.

Source: SBD>V3>TCD-D8

Transfer: Sony SDT-9000 (dds drive)
>VDAT>Sound Forge 5.0>wav>shn

Taped and transfered by John Dove

Marked Time
How Deep Is the Ocean
Long Suite 2005

Kenny Wheeler - trumpet
Hugh Fraser - conductor
Norma Winstone - voice
Gwilym Simcock - piano
John Parricelli - guitar
Dave Holland - double bass
Martin France - drums
Lee Konitz - alto saxophone
Evan Parker - tenor saxophone
Julian Arguelles - saxophones
Duncan Lamont - saxophone
Stan Sulzmann - saxophone
Ray Warleigh - saxophone
John Barclay - trumpet
Ian Hamer - trumpet
Henry Lowther - trumpet
Derek Watkins - trumpet
Gordon Campbell - trombone
Barnaby Dickinson - trombone
Richard Henry - trombone
Mark Nightingale - trombone

Dazed And Confused
Stairway To Heaven
Moby Dick
Heartbreaker
Whole Lotta Love
Dancing Days

Rock and Roll
Sick Again
Over the Hills and Far Away
In My Time of Dying
The Song Remains the Same
The Rain Song
Kashmir

No Quarter
Trampled Underfoot
Moby Dick

Dazed and Confused
Stairway to Heaven
Whole Lotta Love
Black Dog
Heartbreaker

Source:	Schoeps 4v > VMS5u > Tascam DA-P1 (it is also listed at db.etree.org as
		DAUD Schoeps MK4V > VMS5u > Apogee AD1000 > TCD-D8)

Lineage:	AUD>?>CDR>EAC>FLAC
		
Disc One:

01) 17:26	Jam>Thela
02) 09:09	Ding Dang
03) 04:51	Long in the tooth
04) 10:31	Hendershot>toys tease(jimbo!)
05) 06:22	Monkey Boy
06) 07:59	Highball>
07) 10:40	Drums>
08) 05:29	Jam>highball

Disc Two:

01) 07:39	Running the gauntlet
02) 18:09	2000 light years>Is it Luck? tease>CygnusX-1>2000 light years
03) 15:51	Cosmic highway
04) 12:01	E: David Mackalaster I
05) 08:40	E: Whamola(with Les's kids)

instrumental
memphis
la county
good intentions
flyswatter
crying shame
all my love is gone
give me back my heart
nobody knows me
she makes me feel good
brown-eyed handsome man
north dakota
she's already made up her mind
since the last time

church
if I had a boat
she's hot to go
you can't resist it
simple song
here I am
she's no lady
friend of the devil

[[HiThere]]
[[Audience]]
[[Broadcast]]
[[SBD]]
[[Acoustic]] [[Alt-Country]] [[Americana]] [[Bluegrass]] [[Blues]] [[Classic Rock]] [[Classical]] [[Folk]] [[Funk]] [[Fusion]] [[Indie]] [[I